Sundance 2015 Review: THE OVERNIGHT Goes There

It's so incredibly tempting to reveal all the bizarre places Patrick Brice's new film, The Overnight, takes its audiences, who, if they're anything like this viewer, will likely watch the film with mouths gleefully agape.The film opens in the bedroom... More »
By Zach Gayne   

Sundance 2015 Review: H. Explores The Strange Dissonance Of Coupling

There's something strange in the waters of Troy, New York. Something life-changing in the skies. Some of us can see it, some of us can hear it. Some of us will wander into the woods to find it, leaving our... More »
By Ben Umstead   

Sundance 2015 Review: HELLIONS, A Monstrous Misstep

Hellions, Journeyman director Bruce McDonald's first foray into horror since 2008's slow-cooker Pontypool, is a maelstorm of horror traditions and tropes, good and bad alike. While the film is never boring for its constant barrage of evocative imagery, cacophonous score... More »
By Ben Umstead   

Slamdance 2015 Review: FEMALE PERVERT Cuts Cute With Gender Roles

Sex. We wouldn't be here without it. And we sure do like it. But who wants to talk about it? Especially all those particulars...Filmmaker Jiyoung Lee is ready to though, and her intelligent, equally charming and cheeky examination on female... More »
By Ben Umstead   

Slamdance 2015 Review: RATTER, A New High Mark In Cyber-Suspense

Since the very beginning of the medium, cinema has been inextricably linked to voyeurism.For to see, we have to look. And sometimes that's in wrong or uncomfortable places. We are, as an audience -- at home, in the theater, sitting... More »
By Ben Umstead   

Review: Shankar's I: A Tale Full Of Sound And Fury, Signifying... Something?

I have a problem.I am a great admirer of Shankar, the director of I. Even when his films aren't great, as in the case of something like his take down of India's insidious corruption problem, Sivaji, they are engaging and... More »
By J Hurtado   

Review: SyFy Returns To Space With Mini Series ASCENSION

SyFy returned to the space last night with Ascension, its first scripted space opera since Battlestar Galactica. Some 51 years after launching an interstellar spacecraft into space, the crew of the Ascension, descendants of the original crew, are almost at the point... More »
By Andrew Mack   

Blu-ray Review: KILL LA KILL Kicks Ass And Has A UK Boxset

(For those with a sailor-suit fetish and/or a certain sense of humor, Christmas sure has arrived early...) Confession time: when the first trailer and images of the anime series Kill La Kill appeared on the Internet last year, I thought... More »
By Ard Vijn   

Book Review: APPROACHING THE END Brings Us To A New Understanding Of Apocalyptic Cinema

We are living in a cinematic world. It seems that every day that passes it becomes more and more apparent that our experience of the world, how we see it and build our opinions based on it, is being strongly... More »

Toronto After Dark 2014 Review: HELLMOUTH Is One Man's Existential Crisis

Ubiquitous character actor Stephen McHattie is always a pleasure to see up on the big screen. From supporting roles in Hollywood films like The Fountain, Watchmen and A History of Violence, to central performances in indie Canadian productions like the... More »
By Kurt Halfyard   

Review: TOWN OF THE LIVING DEAD On SyFy, Deep-Fried Zombie Movie-Making

Deep in the Bible Belt of 'Merica is the small town of Jasper, Alabama. As the opening monologue for SyFy's new reality show Town of the Living Dead explains, Jasper is your typical American small town. Everyone supports small businesses. Everyone goes... More »
By Andrew Mack   

Fantastic Fest 2014 Review: NORWAY, A Delightfully Odd Vampire Tale From Greece

If you're craving electronic music, handmade sets and 80s cinema homages aplenty with your basic vampire lore, then Yannis Veslemes' debut feature Norway is one to keep an eye on. By no means a cult classic, the film is wonderfully... More »
By Ben Umstead   

DVD Review: Ruggero Deodato's THE WASHING MACHINE

(Dirty people apparently do not become any cleaner in a washing machine...) When you mention the name Ruggero Deodato, the first title which pops into mind will be the unbelievably infamous Cannibal Holocaust, and some aficionados might also mention The... More »
By Ard Vijn   

Fantastic Fest 2014 Review: WASTELANDER PANDA: EXILE Takes Its Anthropomorphic Oddity Very Seriously

Victoria Cocks' post-apocalyptic saga of an anthropomorphic panda trekking across a great barren wasteland in search of redemption is remarkably restrained in its treatment of this absurd concept. Wastelander Panda: Exile's greatest asset is, without a doubt, its commitment to world... More »
By J Hurtado   

Fantastic Fest 2014 Review: FELT, Healing Through Art Gets Extremely Human

There comes a moment early in Toad Road director Jason Banker's Felt which beautifully sets the tone for what is to unfold over the next 70 or so minutes of his second narrative feature: After partying with a few young... More »
By Ben Umstead   

Fantastic Fest 2014 Review: ABCs OF DEATH 2 Is A Superior Sequel

It is common knowledge that sequels rarely, if ever, either improve upon or best their original. Which makes the latest addition to the short horror film anthology The ABC's of Death 2 a truly rare - if not totally unexpected... More »
By Rachel Fox   

Fantastic Fest 2014 Review: DEAD SNOW 2: RED VS DEAD Is Batshit Crazy

For those of you that want one sentence, consider this movie splattastic! Of course Dead Snow (2009) itself freaking rocked. It started with a hoary cliche. A group of horny young adults on a remote weekend retreat but it reintroduced... More »
By Dave Canfield   

Toronto 2014 Review: THE EDITOR Is Eager To Please

The directors of The Editor, Adam Brooks and Matthew Kennedy, along with the rest of their cohorts from VHS-obsessed Winnipeg film collective Astron-6, must have been mighty pissed when they caught wind of Berberian Sound Studio. Peter Strickland's 2012 film was... More »
By Kurt Halfyard   

Toronto 2014 Review: THE DUKE OF BURGUNDY, A Sublime And Specific Sex Comedy

Starting off with what is undoubtedly the opening credit sequence of the year, Peter Strickland's The Duke of Burgundy never ceases to surprise and delight over its 100 minutes, offering a dry but meticulous humour and rhythm. Those credits, offering... More »
By Kurt Halfyard   

Toronto 2014 Review: Kevin Smith's TUSK Gleefully Plays By Its Own Rules

"Why don't you ask him if he's going to stay? Why don't you ask him if he's going away? Why don't you tell me what's going on?" - TUSK, Fleetwood Mac Kevin Smith is many things to many people... More »
By Jason Gorber   
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