Tag "oscars"

Cannes 2013: Weinsteins Trot Out Lineup, Slightly Less Exciting Than Last Year

Harvey Weinstein said it himself at this year's Weinstein Company Cannes showcase, "2012 was a year as good as any year we had at Miramax." The three films highlighted at last year's event (Django Unchained, Silver Linings Playbook, and... More »

By Ryland Aldrich

Review: THE GATEKEEPERS

It came as no surprise in retrospect that The Gatekeepers is a film celebrated by Errol Morris. Having missed the film when it played TIFF last September, I had assumed, incorrectly, that it'd be a dry piece, merely talking... More »

By Jason Gorber

Oscar Rundown, Part III: SILVER LININGS PLAYBOOK, AMOUR, and LIFE OF PI

In this final stretch of examining the nine Academy Award nominees for Best Picture (don't miss parts one and two), the focus switches from the large, patriotically minded spectacles to more personal endeavors. Typically, such efforts tend to be... More »

By Jim Tudor

AMOUR Wins Nearly Every Major Award at French Version of Oscars, The Césars

On the eve of the Academy Awards, Michael Haneke's meditation on death, Amour, swept the César Awards in France, taking home best film, best director, best actor and actress and best original screenplay. That means that the film with the... More »

By Brian Clark

Oscar Rundown, Part II: ARGO, BEASTS OF THE SOUTHERN WILD, and LES MISERABLES

Previously in this column, I took a comparing/contrasting look at three of this year's Best Picture Oscar nominees, Zero Dark Thirty, Django Unchained, and Lincoln. Now it's time to continue the process of asking whether or not the nine Best... More »

By Jim Tudor

Twitchvision: Talking PARKER, HANSEL & GRETEL, JJ and ARGO

In this week's episode of Twitchvision, I chatted with Scott Laurie about the abysmal Parker, the only slightly less abysmal Hansel & Gretel: Witch Hunters, the "nerdgasm" felt by some when J.J. was announced as director of Episode 7, and... More »

By Jason Gorber

For Your Consideration: BATTLESHIP for Best Picture of 2012

We live in a time when winking, snarky, sardonic Cinema has become the norm, when things like subtext and subterfuge gloss over what are more often than not simply action movies gone wrong. We've seen pixels fighting pixels, groups... More »

By Jason Gorber

Leading Voices in Global Cinema

Todd Brown, Founder & Editor Toronto
Peter Martin, Managing Editor Dallas
Ryland Aldrich, Festivals Editor Los Angeles
James Marsh, Asian Editor Hong Kong
Brian Clark, European Editor Paris

Hollywood Beat: Notes On Cutting The Cord And NBC's Genre Programs

I cut the cable cord last year, but I'm not always happy about it. I had to wait a year before seeing Season 2 of Game of Thrones, for example, and will have to wait to see Season 3 until next year. I only have to wait to see Mad... More »

Twitchvision: Talking STAR TREK: INTO DARKNESS, MUD and THE ICEMAN

Another Twitchvision chat with Scott Laurie, this time me gushing about J.J.'s latest Star Trek film, which I unabashedly loved.Also talked about he fabbo Mud, and the less fabbo The Iceman, both with Michael Shannon doing his thing.Video embedded below.Update: Was asked to come in today and pick a few... More »

Learning from the Masters of Cinema: Henri-Georges Clouzot's THE MURDERER LIVES AT 21

While Henri-Georges Clouzot is best remembered for many of his later films, including The Wages of Fear and Diabolique, the French filmmaker's 1942 debut has gone largely unseen by Western audiences until now. The Murderer Lives at 21 (L'Assassin Habite au 21), based on the novel by Belgian author Stanislas-Andre... More »

China Beat: What did China See in IRON MAN 3?

Much has already been written, both on these pages and many others, about the landmark Hollywood-China co-production that is Marvel and DMG Entertainment's Iron Man 3. The film, directed by Shane Black, is the third solo outing for Robert Downey Jr's Tony Stark, and has proved a phenomenal success around... More »

FEAR & LOATHING AT CANNES, PART 2: I'M IN LOVE WITH EVERYBODY'S GIRL

CHAPTER 4: THE PHILOSOPHY OF ANNA KARINA AND BUTT PLUGSI'm sitting outside at a small Café that my editor told me to meet him at. I'm a 10 minute walk from the Marche Du Film convention hall and I'm still waiting for my editor to arrive so he take guide... More »

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