Kontroll
While it seems that the bulk of the world is content to dish out boring and typical slasher and psycho killer horror films the French scene continues to push the envelope both in terms of graphic violence but also deep and meaningful content. This is the type of film that director and writer Pascal Laugier has given to us.
Martyrs opens to a young girl, Lucie, running through an industrial complex. She has been stripped to her underwear and she is bruised, bloodied and broken. She is escaping from something or someone. Film footage then unveils an investigation into her ordeal. A single chair sits in a room with a hole in the seat so she can relief herself into a bucket. A soiled mattress sits in the corner. Chains run from the walls. Clearly this little girl has been held for some time, we learn it has been one year. She is taken to a hospital where she is studied and cared for. Another young girl, Anna, befriends Lucie and the two form an impenetrable bond. When they are older Anna joins Lucie on her quest to find those responsible for her ordeal.
Lucie does find her previous captors. They are at home, having breakfast with their children. She comes to the door toting a shotgun. Things go very bad, very quickly and very bloody. Anna is waiting in the throes for Lucie to contact her. Having freed herself from her physical captors we begin to understand, something that a lot of us would have suggested already, that she had horrible personal demons that manifest themselves in a horrible and physically ruined young woman who scars and slashes at her. No sooner has Lucie begun to exorcise her personal demons does Laugier turn his film on its ass and a new ordeal must begin.
Martyrs is absolutely unrelenting. It is uncomfortable. It is very violent. It starts off running and does not stop for the first two thirds. But, because of its switch from what seems to be seemingly conventional yet unrelenting horror, to psychological horror, to torture horror with a metaphysical slant it isn’t going to win over the majority of its audience. What others have called pretentious I call terrifying and grounded in real life and to some religious faith.
The torture in Martyrs was inevitable. You simply cannot refer to it early in the film, suggest that one of your main characters has undergone it and never have any of your key characters endure or suffer to it. The goal of Laugier’s script wouldn’t be met. We would never know the answer to why had Lucie be put through such torture. The reason for all this hard hitting violence would simply be for sick thrills and chills. We wouldn’t know why it was being done and I don’t think anyone would be happy in this type of film to have it simply explained to us in a lengthy monologue. It wasn’t why we were there.
Because it starts so strong yet impersonal and switches to slow, methodical and deeply, deeply personal it will then turn off many viewers. Any time you can distance yourself from the subject of the film the better off you believe you are. Because Laugier’s film made the horror much more personal for me it was inescapable. Certainly anyone familiar with religious history will be more impacted by the answers and the reasons why our characters endure and suffer so much in this film. Hopefully that answer will disgust you as much as it did me.
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Reader Comments
Garth 09/25/2008 @ 3:50pm
*SPOILERS WILL PROBABLY ABOUND*
I’m not trying to get into an argument, but it completely amazes me that people pretend that the motivations given in this film are somehow better or more noble than “simply for sick thrills and chills”. I mean really, randomly kindnapping young women (one of whom was 10-12 years old) and then torturing them relentlessly over the course of months or years, bringing them to the verge of DEATH in some bullshit attempt at seeing the afterlife is somehow more valid and noble than the equally evil, cruel and deranged “I wanted to know what her insides looked like”?
This isn’t meant as an attack on you Mack, or on anyone in particular, it just strikes me as amazing that people see this as a noble, almost GOOD reason…
impossiblefunky 09/25/2008 @ 7:25pm
Agreed.
kungfueurotrash 09/26/2008 @ 12:07am
Hey, I respect your opinion garth, but as a movie in the horror genre, it fits pretty damn well…
adam mason 09/26/2008 @ 12:56am
i saw this the other day. Was REALLY looking forward to it. Unfortunately its been a long time since a film has annoyed me like this one did. It makes no attempt at a story, likable characters, or even a basic structure. Call me old fashioned i know, but i was desperately searching for anything to latch my interest onto here… The first hour is utterly fucking bewildering, and the ‘twist’ that follows is where the film actually finally starts from a plot perspective, after being frankly rather boring for sixty mins. This is the one interesting part of the movie, and lasts for maybe three mins. Pity then that just as you think the film might finally have something of merit to say, what follows is 45 excruciatingly boring mins of torture, where you really couldn’t care less what you are watching because the female ‘protagonist’ is so badly drawn in the first place that you just do not give a shit.
A real shame this film. One of those movies that is offensive unfortunately purely because it is bad. The gore was cartoonish to boot with some really pretty dodgy latex work. Inside is a much, much better film than this, mainly because it was made by a couple of guys who could actually tell a story.
I was really hoping that Eli had killed off the sub-genre of girls getting cut up in chairs with the godawful hostel movies - but hostel is a fucking masterpiece compared to this. And that is about the worst thing i can think to say about Martyrs.
Swarez 09/26/2008 @ 1:56am
Wait? This was at the festival? When did it screen?
Kurt Halfyard 09/26/2008 @ 5:21am
Here. Here. Adam. Well said! (Although I do think that the Hostel films work well as black comedies)
georgia 09/26/2008 @ 7:49am
I wouldn’t say the intentions of this film are noble, but they are pretty obviously not JUST about cheap thrills. I think the director was aiming for a deep, disturbing connection with the audience - and he achieved that, at least with me. For whatever reason, I was deeply disturbed by this movie’s premise as much as by its violence.
We’re supposed to be left sickened and horrified by the possibility that human beings could believe that such terrible treatment of a person was for a higher purpose. Every line of dialogue from the group of torturers makes it plain that these are selfish, disgusting people attempting to manufacture a state of religious ecstasy. So Garth is right - the premise of this movie is JUST as sick as Hostel or any typical slasher flick. Maybe even sicker because the torturers are greedily chasing after a look at the beyond, thinking they have a noble purpose. And the film even seems to imply that the answer they receive isn’t what they wanted to hear.
Also, I don’t think it matters that Anna isn’t a well-developed character, because it doesn’t matter to the torturers who she is. They are simply trying to create a martyr for their own uses. All that matters to them is the end result - a description of the world after death.
Swarez, it screened twice yesterday, and it wasn’t on the printed schedule.
Garth 09/26/2008 @ 8:51am
I was more sickened and horrified by the idea that some rich douche would want to experience killing someone and be willing to pay for it than by this idea.
And I wasn’t sickened or horrified by Hostel at all…
Mack 09/26/2008 @ 9:00am
Thank you georgia. It was really hard to write this one because I didn’t want to give away the ‘reveal’ at the end of the film. I had two whole paragraphs committed to martyrdom and faith and felt I couldn’t include them in my review lest I spill the beans for the rest of our readers.
It indeed splits an audience. You love it or you HATE it. A lot more in the second camp it would seem. But I am loving the dialogue that it generates. Very thoughtful dialogue. Not like a talkback over at AICN.
Sorry. Swarez. Yes, they announced these screenings mid-week and could only fit them in on the last day. Say hi to the guys for me. I went and saw Astropia again, sat with Ingvar. It played very well.