Wayward Cloud
The third and final entry in the Nikkatsu Action retrospective at this year’s Fantasia Festival, Gangster VIP reunites director Toshio Masuda, star Tetsuya Watari and production designer Takeo Kimura from Velvet Hustler but the two films could scarcely be more different. Where Hustler was a light, playful film Gangster VIP is a much darker piece, one revolving around a man consumed by his circumstances, fully aware that his lifestyle will consume everyone around him and forced by his conscience to therefore shun any sort of “decent” relationships so that only those who somehow deserve it will be in the line of fire. Based loosely on the story of real life gangster Goro Fujita, Gangster VIP casts Watari as a sort of noble outcast, someone forced by poverty into a life of crime but also someone who has managed to retain a sense of honor and who recognizes fully that a decent life would be immensely preferable though, for him, that sort of life will remain forever out of reach.
Watari - a bona fide movie star who oozes charisma from the screen - stars as Goro, an orphan who grew up hard on the streets of Tokyo in the post-war years. After a stint in reformatory Goro did what many young men with no legitimate prospects did in those days and joined a yakuza gang, not because he’s violent or cruel by nature - though he’s certainly adept at violence when the situation calls for it - but because it was the only way for him to eat. Once in the gang Goro was bound by his own code of honor to remain in the gang and the action picks up one fateful day when he learns of a plot to kill his boss. Goro rushes to the scene and finds his friend and ‘brother’ from reformatory days as the would be assassin. Goro intervenes, the boss survives but both killer and protector are gravely wounded and both are packed off to prison.
Three years later Goro emerges from jail, believing his debt to the gang is now paid he simply wants to be reunited with the girl who promised to wait for him but life is rarely that easy. Impatient, she has gone and married someone else while Goro was away. Intervening to save a young country girl from an assault on the street puts Goro back in the path of his old gang enemies, while a visit to his old boss makes it clear that his old gang has fallen on hard times and is in need of his help. And just like that, mere hours after his release, Goro is back into the life.
In tone Gangster VIP is much closer to a traditional Japanese action / yakuza film than the vast majority of the Nikkatsu Action titles. Unlike most films of the genre in which the gangsters are variations on European and American types these gangsters are true, dyed in the wool yakuza. What makes the film distinct, however, is its approach to its characters and story. There’s a romantic subplot running through the picture, one laced with a gentle comedy that you wouldn’t find in a typical yakuza film, while its heroes are layered with regret and conflicted loyalties. It’s a film played close enough to genre convention to be familiar and comforting with just enough variation to remain fresh and vital and surprising. Watari delivers a stunning performance, worlds apart from his equally impressive turn as the carefree, whistling hitman of Velvet Hustler and the film ends with a simply stunning finale that plays out against the sounds of the nightclub act where it is set.
While deals for a number of these Nikkatsu Action films have been signed recently or are in the works now Gangster VIP is, reportedly, not one of the titles that will be seeing release here so far, and that is truly a shame. It’s a fantastic piece of work, every bit as vital now as when it was made, and it fully deserves the chance to find a larger audience.
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Reader Comments
El Duderino 07/16/2008 @ 5:09am
The final fight under the rain is absolutely stunning.
Everyone who love Fukasaku’s Yakuza Eiga should see this one.
A tough and gritty movie.
Todd, i’m glad you’re liked it.
fatbologna 07/21/2008 @ 7:55am
Tetsuya Watari is so cool it hurts! Up there with Tanba and Wakayama for me. Is there any word as to whether these three films will be picked up for a DVD release from the usual suspects(Discoteck, Synapse etc.)? This sounds like a nice mix of Street Mobster(themes of being an outcast), Sympathy for the Underdog(returning to life on the street after a prison stretch), and Graveyard of Honor. It’s nice to hear that the love interest subplot is a little softer than usual as Street Mobster and Graveyard of Honor’s misogyny were a little rough(although fitting to their respective character arcs, I suppose). I hope to see all three films mentioned in the near future!
fatbologna 07/21/2008 @ 7:57am
oh yeah, and while Wakayama Tomisaburo IS awesome, I meant to say Bunta Sugawara! HE. IS. GOD.