After This Our Exile
Hello, I’m Jim Tudor, the “mainstream” movie reviewer guy around here. While I realize I haven’t posted many reviews this year (and with good reasons - but I won’t bore you with them), I still figured I ought to show my face for the big year-end round-up fever that grips us this time of year. But here’s the thing – I only saw twenty-three 2006 releases this year. Does that make me unqualified for a year-end list? Probably. But does Todd still allow me to post crap like this? Yes! Here we go:
1. The Departed
Not the most original #1 choice, I know, but it’s making up for last year when I picked “Revenge of the Sith”. I went into “The Departed” fully expecting it to be good Scorsese, but I came out shocked by just how utterly Scorsese it was. When we think of his best work – “Taxi Driver”, “Raging Bull”, “GoodFellas” – we think of straightforward, no-holds-barred raw movies that pack a punch and take some chances. “The Departed” fits that bill, but delivers a healthy amped-up dose of very black comedy to the mix to boot. (Yes, in many ways this was a comedy. They had the balls to end this bloody cat & mouse crime “drama” with one groaner of a joke, after all.) The wacky visual techniques (Scorsese uses iris shots from the silent era, for crying out loud) and crazy storytelling maneuvers (not gonna spoil ‘em) serve to make this one of the must-see movies of 2006.
2. Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
I laughed so hard my ribcage hurt. Some have it in for this movie since Sacha Cohen and company saw fit to essentially deceive a bunch of well-meaning individuals into humiliating themselves on film. They may have a point, but I laughed regardless. I have to wonder if the gags & punch lines carried off in “Borat” would’ve been equally effective if the whole thing would’ve been done Christopher Guest style, with actors playing out the mockumentary. Would the effect of the anti-semantic gun shop owner have been as jarring if it were scripted & staged? I doubt it, and plus, who would’ve believed it? In any case, with all the hype, publicity, and success this film has received, this was probably Cohen’s last attempt at mining his “Ali G” stable on the big screen in this particularly underhanded meta-manner. It will be very interesting to see how he follows this up.
3. Cars
Even though I always love Pixar films (granted, some more than others – “Incredibles”, Toy Story” - YES! “Finding Nemo”, “Monsters, Inc” - not so much,) I wasn’t expecting “Cars” to be anything. Before I saw it, I found myself buying into the early conspiracy theory that Pixar deliberately made a blah movie in order to sever their Disney ties with a big “screw you”! Of course, that theory barely makes any sense, and in the end, it certainly proved false. Even the foundation premise itself proved false, since the Pixar guys are now essentially running Disney animation. Anyhow, “Cars”, as goofy as it looked with its Nascar-baiting angle and Owen Wilson casting, proved to be an unexpectedly moving look at the price we pay for living our lives in the fast lane. The wave of nostalgia for Route 66 is overwhelming. It all brought a tear to my eye, I tell ya.
4. A Prairie Home Companion
This isn’t just because Altman died this year. I came out of “Prairie Home Companion” saying that it may just be my favorite Altman film. The director’s trademark sensibilities blended well with those of humorist Garrison Keillor, someone who sometimes cracks me up, and other times leaves me wanting to gut-punch the smugness out of him. This adaptation of Keillor’s long-running radio show could’ve very easily gone quite wrong, but thanks to its light-handed pre-occupation with death (quite fitting, eh?), it gathered and maintained a unique resonance that is still with me. Ordinarily I don’t go for movies with such a heavy Buddhist worldview (“Star Wars” withstanding, of course), but no one made movies like Altman, and he sure scored with this one.
5. Clerks II
Another one that very easily could’ve run off the rails and into crapville. But Kevin Smith had something to prove, and he made darn sure that this sequel was justified. A near-perfect blend of the raunchy buddy comedy of “Clerks” combined with the heart of “Chasing Amy”, this could be Smith’s best film to date. He can’t seem to leave his View Askew universe behind, and at this point, maybe he shouldn’t. He is obviously quite comfortable there, and so are his fans. I’ve never really counted myself among them, but I have to admit I am awfully tempted to buy the “Clerks II” DVD in that exclusive overpriced Happy Meal packaging.
Honorable mentions: “Casino Royale”, “Superman Returns”, “The Inside Man”, and “Slither”. And “Saving Shiloh” is a pretty great kids movie, too. Seriously.
Have a solid 2007!
Jim Tudor (Set Decorator,”Saving Shiloh”)
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Reader Comments
trysop 12/31/2006 @ 4:00pm
I’m glad to finally see Clerks II on somebody’s best of list. I thought it was great too - and I like your description of it as Clerks + Chasing Amy...this movie has a lot of heart behind it.
black boot 01/01/2007 @ 6:59am
aww c’mon. No movie has ever been more motionless and dry than Superman Returns.
ZenAmako 01/01/2007 @ 10:24am
I thought the big summer blockbusters were all pretty dry this year. That includes Superman Returns, X-Men 3, Cars and PotC: Dead Man’s Chest. Don’t get me wrong: I did enjoy watching them, but in the end, they weren’t especially memorable. I thought they were “decent,” but I’d hoped for more.
For my money, the keepers were two movies many people thought shouldn’t have even been attempted: Clerks II and Rocky Balboa. Both of these had the heart that I thought was missing from movies like Superman Returns.
em 02/20/2007 @ 7:32am
i hate you
Jim 02/20/2007 @ 1:07pm
“Hate” is an awfully strong word, doncha think, em? I merely think nothing of you.
Yuck yuck yuck.