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I’m A Cyborg, But That’s OK
Oldboy
Posted: 24 January 2008 03:26 PM   [Ignore]
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Park Chan-Wook’s latest is similar to the directorial styles of his well know films such as Oldboy, Sympathy for Lady Vengeance, Sympathy for Mr. Vengeance, and Joint Security Area. So is the screen filled with beautiful images full of color and life? You betcha… however… the content of the film is a far cry from the Vengeance Trilogy. Park’s new film is more of a love story, odd as can be, but still a love story at heart. So if you’re expecting Oldboy 2… don’t bother.

This is a romantic comedy of sorts, but not a light one. Park does dive into some serious subject matter. The film revolves around it’s lead actress Im Su-jeong (who you may recognize from the wonderful horror; Tale Of Two Sisters). She plays the part of a sad girl in a mental institution where most of the film is played out where she believes she is a cyborg and refuses to eat. As her health deteriorates, an interest is acquired by another patient played by pop star Bi (Rain). What ensues is a melancholic turned lovely tale of two characters dealing with their past finding each other in the most odd of circumstances.

This is not played out like a typical rom com; I.E. machine guns coming out of Im’s fingers blowing away all the nurses. This is a sad yet amusing love story told like nobody besides Park could tell it. The story is touching, sad and funny. The visuals, effects and set designs are simply beautiful. Again, if you’re looking for a blood filled, revenge story this is not for you. If you’re looking for a non typical romantic comedy with style to spare then give it a go!

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1minutefilmreview
Posted: 26 May 2008 01:22 PM   [Ignore]   [#1]
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Can love blossom between mentally-ill persons? Would a relationship embarked in an asylum actually be viable? Korea’s sensational filmmaker Park Chan-Wook directed this curious film that is part romance and part psychological exploration. Made after his ‘Vengeance Trilogy’, this is somewhat a departure from darker-themed topics. The mood in this though is still heavily tinged with irony as all of Park’s movies are wont to. Loaded with inventive tracking shots and wacky camerawork. Check out the one-of-a-kind opening credits!

Regards,
1minutefilmreview

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Brad
Posted: 31 May 2008 02:47 AM   [Ignore]   [#2]
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Great review but I gotta ask one stupid question.

Sometimes when watching a quiry film, the flick can go a little too quirky and make me completely lose interest in it.
I’m fine with a little bit of oddball stuff and I did enjoy Oldboy and Sympathy for Lady Vengence but I’m curious...when you say ‘not your average romcom’ [praise be to zombie jesus!]...are we talking emotional disconnection or happily different?

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Ard Vijn
Posted: 08 August 2008 07:31 AM   [Ignore]   [#3]
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Brad,

I totally agree with you about “quirky”. When used too much or too obviously, I just lose all interest.
And in lesser hands that might have happened here, but Park Chan-Wook is just too damn good a director to allow that to happen.

There was no emotional disconnect for me in this film. In fact I was so connected with these people that I was disappointed when the movie ended when it did. Not to go into spoiler country too much, but I would have liked some more resolution to the proceedings.
Still, one of my favorite movies of last year, certainly one of the best from Korea.

There is a sequence in the middle that is infinitely rewatchable and brilliantly shot. You’ll know it when you see it.

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sitenoise
Posted: 26 August 2008 10:33 PM   [Ignore]   [#4]
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Ard Vijn - August 8, 2008, 7:31am


There is a sequence in the middle that is infinitely rewatchable and brilliantly shot. You’ll know it when you see it.

You must mean the part that starts with Su-jeong’s conversation with the coffee machine and ends with a rainbow. wink

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