Joshua Grannell (aka Peaches Christ) and I met up at the Duboce Park Café the Monday after Pride Weekend. As Peaches, Joshua had survived his Pilsner pork pull; an event he agreed to in support of his beloved BLT community. “Every year,” Joshua admitted, “Peaches seems to do less and less [at Pride] in an attempt to reserve energy for the next eight weeks [of Midnight Mass].” Being that it’s now official that this is the last year of Midnight Mass at the Bridge Theatre (“Peaches Christ: R.I.P.”), I felt it compulsory to find out what’s up. Although our conversation was primarily to serve my upcoming Fangoria article on Joshua’s recently completed first feature All About Evil (I’ll let you know when that hits the newsstands), I took time to probe about the summer swan song of the 12th season of Midnight Mass.
Continue Reading "MIDNIGHT MASS 2009—Interview With Joshua Grannell (aka “Peaches Christ”)"...
[UPDATE: Two guys also capture the promo at the convention and unloaded on youtube. It has a better view than the last video.]
Imagi Studios has set up a booth at the Anime Expo 2009 in Los Angeles and “Anime3000” has capture on camera the Gatchaman promo being on display on the floor. Of course, the video quality ain’t so great as typical with any cam-job. We have to bear with it until a proper version comes along. Hopefully, more news update on this promising superhero film will emerge soon.
You’ll find the promo after the break.
Continue Reading "Cam-job Promo for Imagi’s GATCHAMAN"...
Bunny And The Bull is a comedy road movie set entirely in a flat. Stephen Turnbull hasn’t been outside in months and when he finds his mind hurtling back to the disastrous trek he took around Europe with his friend Bunny, a catalogue of adventures unfold. Starring Edward Hogg (Brothers Of The Head ) and Simon Farnaby (‘The Mighty Boosh’, ‘Jam & Jerusalem’), Bunny And The Bull promises to be a touching journey to the end of the room.
I am disappointed in you, Britain. Very disappointed, indeed. The promo reel for Paul King’sBunny and the Bull remains the favorite thing that I saw during my time in Cannes this year and I have been anxiously awaiting the chance to share King’s lo-fi Gonry-esque fantasy with the likes of all you Twitch readers. But, alas, despite an upcoming autumn release date in the UK there is no trailer yet released officially anywhere online and apparently, there’s not a soul alive who managed to capture the trailer when it aired on the UKs Channel Four a couple weeks back. Foresight, people! Foresight!
But all is not lost as the good people at Channel 4 have, at least, seen fit to release a new block of stills from the picture online and they’re looking fantastic. With its cardboard and duct tape approach to special effects and the imaginary road trip that propels the story, this is one that fans of Michel Gondry and Spike Jonez are going to die for ...
If you went to watch Ice Age: Dawn of the Dinosaurs at the theaters, chances are you might have caught the second trailer for Ilion Studios’ Planet 51. Its a sci-fi animated comedy that has been on my radar for so long. With animation that looks just as good as any other heavyweight studios, Ilion from Spain may prove to be a major contender.
Planet 51 is a galactic sized animated alien adventure comedy revolving around American astronaut Captain Charles “Chuck” Baker, who lands on Planet 51 thinking he’s the first person to step foot on it. To his surprise, he finds that this planet is inhabited by little green people who are happily living in a white picket fence world reminiscent of a cheerfully innocent 1950s America, and whose only fear is that it will be overrun by alien invaders…like Chuck! With the help of his robot companion “Rover” and his new friend Lem, Chuck must navigate his way through the dazzling, but bewildering, landscape of Planet 51 in order to escape becoming a permanent part of the Planet 51 Alien Invaders Space Museum.
The release date is on November 20th. You’ll find both the trailers below after the break
Continue Reading "Second Trailer for Ilion Studios’ PLANET 51"...
The man with 30 films somewhere in the production ether has just added another project to his list. Lorenzo di Bonaventura, producer of the Transformers films and the upcoming G.I. Joe: Rise of Cobra feature has dipped his grubby hands once again into the 80s properties pool and won a bidding war- A BIDDING WAR!!! for the rights to make an Asteroids movie. Yes, yes, the game where you, a small triangle, shoot and destroy asteroids of varying shapes and sizes until you are mercilessly crushed by one of them yourself. Insert another quarter and go again!
Now, given that Asteroids was around in the days where back story and characters didn’t matter, we were too caught up in the actual state of the art video game action back then, this gives the script writer Matthew Lopez [Bedtime Stories and Race to Witch Mountain... I know] pretty much free reign to do what he wants and create an exciting world around the simple concept of blowing up Asteroids.
So let’s theorize and make up our own script shall we? Here’s what I can make up off the top of my head. Aliens have redirected asteroids from the belt in orbit around the Sun, that one between Mars and Jupiter, and they are launching them at Earth, hoping to wipe out the human race from a distance. It’s up to the Asteroid Defense Human Defenders [ADHD - get it?], a collection of young, hot, thrill seeking space pilots to intercept these Asteroids before they become Meteorites and plunge into the soft recesses of our fragile Earth. They’ll be doing some plunging into some soft recesses of their own because they are so young and hot and thrill seeking. Either an Asteroid will get through their defenses, kill millions, and one of the pilots will have this big emotional moment where they torture themselves in grief only get their vindication when Earth can finally launch an assault on this Alien race and these pilots will be asked to lead the charge once they arrive at the belt. Or, one of their pilots will die, planting themselves on the front side of a massive Asteroid, and everyone will have a joined emotional moment then everyone can get their vindication when Earth can finally launch an assault on this Alien race and these pilots will be asked to lead the charge once they arrive at the belt. There will be lots of special effects and lots of explosions [which you must have even though there is no sound in the vacuum of space] and I wouldn’t be surprised if it is done in Real 3D. After all, it’s Asteroids damnit!
What say you?
We are mighty big fans of Nimrod Antal‘s 2003 Hungarian subway drama, Kontroll, which at the time, due to its sense of style, humour and intensity, besides being a breath of fresh air in the stuffier Hungarian Cinema circles, also seemed like a Hollywood calling card of sorts. That proved true and resulted in the enjoyable thriller Vacancy and the decidedly more generic-looking Armoured which is on its way to the multiplex presently. But here is the blockbuster big-time moment for Antal, as he is being handed the keys to the Predator franchise. Hmmm, I find this to be pretty exciting. Antal had to beat out some tough competition, namely Neil Marshall, for the gig.
The 1987 original is practically canonized as one of the great 1980s beef-cake action pictures with great action and macho humour and sensibility. And the awesomeness of Predator 2 is often overlooked? I mean that quite seriously, Predator 2 rocks. Can Nimrod Antal and producer Robert Rodriguez stuff lightning in a bottle for a third go-around?
Either way, Robert Rodriguez‘s Troublemaker Studios is aiming for a fall start on Predators with elements of his 1994 screenplay draft and the KNB group practical special effects philosophy. Excited? Ready to wash the bile of the AVP films out of your craw?
We all know how much man love Swarez has for Fred Dekker and his film Night of the Creeps but I think this little contest that Amazon is putting on to choose the cover for the upcoming DVD release might be enough to put him over the edge and send him on a drunken rampage throughout Iceland, drunk on whatever the Icelandic people get toasted on. And given that Swarez has himself designed some really good posters and DVD covers himself I don’t think the nation of Iceland will sleep well tonight. You’re going to have to see for yourselves.
Here’s the deal. Go to the link below and choose one of the three options at the bottom of the page. The cover with the most votes will be the winner and you’ll know what to look for when you go to buy this DVD when it hits store shelves. I think all three are ugly as sin but it looks like it is a matter of choosing the lesser of three evils. Option # 1, the one I think is the least hideous is the one on the left.
And you will buy it because it is an awesome cult film and you don’t want a drunken Swarez showing up at your door in the middle of the night. Do you? DO YOU!?!
Seventy years later and 1939 is still hailed as a benchmark year for Hollywood cinema. Celebrating that fact, this evening The Castro Theatre launches its 18-film tribute to 1939, including such classics as Son of Frankenstein and The Man They Could Not Hang, At the Circus and You Can’t Cheat An Honest Man, They Made Me A Criminal and Each Dawn I Die, The Women and Ninotchka, Mr. Smith Goes to Washington and Destry Rides Again, Wuthering Heights and Goodbye, Mr. Chips, Tarzan Finds A Son and Another Thin Man, Gunga Din and The Hunchback of Notre Dame, wrapping up with Golden Boy and Only Angels Have Wings.
If you prefer your home entertainment system to a movie palace, at least 10 of those titles are likewise included in Turner Classic Movies’ 39-film tribute “1939—70th Anniversary of Hollywood’s Greatest Year.” Each Thursday night through the month of July, TCM will shoot off 1939’s most celebrated fireworks, including all 10 Best Picture Oscar® Nominees (reminding—in the light of recent events—that everything old is new again). Robert Osborne offers a preview of the festival at Now Playing: The Show and the full schedule can be found at TCM’s website. TCM’s “39 From 1939” Film Festival also features the premiere of the new Warner Home Video documentary 1939 (2009), which recounts the astonishing accomplishments of Hollywood during this historic film year.
The Academy of Motion Picture Arts and Sciences has, of course, been screening all 10 Best Picture Oscar® Nominees throughout the Summer, with only four screenings left to go.
Of related interest, at One Way Street Alan Rode angles in on 1939 by way of a sterling portrait of “the incredible twelve month run of film roles by the great character actor, Thomas Mitchell.”
And, of course, no survey of any given year in cinema history would be complete without a tip of the hat to Thom Ryan’s Film of the Year. He chose Confessions of a Nazi Spy as his focus on 1939.
So, out of sheer curiosity, what is your favorite film from 1939?
Cross-published on The Evening Class.
[Our thanks to Joshua Chaplinsky for the following review.]
I’m a sucker for anything Kaufmanesque, that special brand of weirdness with a metaphysical edge. I am not, however, a sucker for Hong Kong style melodrama. How about a Hong Kong Style melodrama with a metaphysical edge? Now you’ve got my attention.
Written By is the most recent directorial offering from Johnnie To collaborator Wai Ka-fai. It is a Russian doll story within a story within a story about a family that loses its patriarch in a tragic car accident. The man’s daughter, now blind, decides to write a story in which the rest of the family died and the father survived. He, in turn, begins to write a story in which his family is reincarnated, they live in the cemetery together, and his daughter is Death’s apprentice. Confused? Don’t feel bad. Even the character of Death (Meng Po) has trouble figuring it all out.
Continue Reading "NYAFF 09 Review: WRITTEN BY"...
[Our thanks to Bryan from Cinema Suicide for the following review.]
Franklyn caught me off guard. I managed to see the trailer on a site much like this one and it wasn’t clear what the movie is about. The trailer is a testament to misleading advertisement. A studio pays for a movie to be produced and agrees to distribute it. They see the script, of course, and like what they see, but if you’ve ever read the shooting draft of a script and then see the released feature, they often differ in some fundamental ways. It’s a great script but what often looks great on the page sometimes doesn’t translate to the lens well and changes must be made on the fly. The studio then sees the final project and realizes that this is not what they paid for. The marketing machine cranks to life and produces a series of marketing materials that makes their challenging feature look like something it’s not and gets as many asses in seats as it can before everyone leaves the theater and starts texting everyone in their address book to tell them the movie sucks.
Continue Reading "FRANKLYN Review"...
The simple thing to do here would be to declare Out Of Our Minds a spiritual successor to David Lynch’s Twin Peaks - at least to the more surreal and music infused parts of Peaks - and be done with it but to do so would be to do a dis-service to the singularity of vision presented here by creators Melissa Auf Der Maur (Hole, The Smashing Pumpkins) and Tony Stone (Severed Ways).
The film component of the multi-media project envisioned by Auf Der Maur – a CD will follow soon – premiered at Sundance, where it won a good deal of praise for its potent fusion of image and music. And having finally just seen the film myself I can say that praise was entirely deserved. Less a narrative than an immersive experience, Out Of Our Minds travels through its entire thirty minute run time without a single word of dialog, the story traveling from a modern day woman, back to Viking settlers, to a pioneer era logging camp and back again. The segments are linked thematically by blood, blood and death, with Auf Der Maur’s hypnotic, droning music providing a consistency of tone throughout. The fusion of images with music is potent, the breadth of imagination on display even moreso, the seeming ease with which it is executed more impressive still. This is just spectacular stuff.
Find the trailer below the break.
Continue Reading "OUT OF OUR MINDS Review"...
Though he’s been brewing his particular brand of madness for a good long while now it wasn’t until the arrival of Machine Girl that writer-director Noboru Iguchi really made an impression here in North America. But when he did, it was a big one - his fetishized story of a high school girl whose arm is replaced by a giant machine gun becoming a genuine viral phenomenon as it raced through the web. And how has Iguchi followed up the success of Machine Girl? With robotic geishas. Lots of them.
RoboGeisha is the latest collaboration between Iguchi and special effects man Yoshihiro Nishimura - himself the director of Tokyo Gore Police - and it bears all of the now-classic hallmarks of the duo: outrageous special effects, grotesquely hilarious gore and weapons where weapons just should not go. Machine Girl had the mechanized arm. Iguchi’s earlier Sukeban Boy had leg and breast cannons. Nishimura’s Tokyo Gore Police has the infamous penis cannon. RoboGeisha? This one boasts what the trailer graciously describes as hip-katanas, though the swords are actually placed considerably lower and more to the rear. Yes, Iguchi’s latest has ass-swords and women who aren’t afraid to use them. And that’s not even mentioning the giant robot-building, the transforming geisha-tank or the fried shrimp rammed into eye sockets.
The trailer for RoboGeisha is a virtual compendium of the bizarre and hilarious world of Iguchi, all of it narrated in bizarrely dry style. We’re very proud to have been given the world exclusive of the trailer here at Twitch, passed to us directly from production company TO Entertainment, and you can find it below the break!
Continue Reading "Noboru Iguchi Says ‘Geisha Is Beautiful! Geisha is Robot!’ It’s the ROBOGEISHA Trailer!"...
You can do little wrong when you decide to go to Montreal for the Fantasia International Film Festival and this year’s lineup proves to be no exception. Want a taste? David Morley’s MUTANTS, Adam Mason’s BLOOD RIVER, José Mojica Marins’ EMBODIMENT OF EVIL, Tom Shankland’s THE CHILDREN, Park Chan-wook’s THIRST and Satoshi Miki’s INSTANT SWAMP are just some of the titles at this year’s festival.
There is a lengthy announcement after the break. Take your time and we are sure you’ll find some must-sees. Then we’ll see you in Montreal between July 9th and 27th.
Continue Reading "FANTASIA 2009 announces lineup. She be a doozy!!!"...
Is it better to live with a bullet lodged in your brain, even if it means you might drop dead any time? Or would you rather have the bullet taken out and live the rest of your life as a vegetable? Are zebras white with black stripes or black with white stripes? Is scrap metal worth more than landmines? Can you get drunk from eating waffles? Can a woman fit inside a refrigerator? What’s the human cannonball world record?
Find out answers to these questions and more.
A comedy in the vein of Delicatessen and Amélie.
Yes, kids, after a foray into the world of epic spectacle with his war-themed A Very Long Engagement, director Jean-Pierre Jeunet is not only back with a new film but very much back on form. Those references to Delicatessen and Amelie in the official synopsis? Very much earned as the just released teaser for Jeunet’s Micmacs A Tire-Larigot looks to very much hit the sweet spot between the two. Good lord, I want to see more ... check the teaser below the break!
Continue Reading "Jeunet Returns And Returns To Form! The First MICMACS Teaser Arrives!"...
[Missed this one while out of town last week but am making up for it now!]
What do you do if you’re the producer of a venerable scifi franchise and you have to follow up an entry that featured not one and not two but a whopping EIGHT variations on your hero? If you’re the folks behind Japan’sUltraman franchise - about to hit its thirty eighth installment! - you trigger a mega monster battle, of course! And also recruit a whole lot more Ultramen.
The evil Ultraman Belial was imprisoned by the Ultraman King tens of thousands of years ago. When he finally escapes, he attempts to use the Giga-Battlenizer to control 100 giant monsters and conquer the galaxy. On the Ultraman homeworld, where there is no 3-minute time restriction, a team of 50 Ultramen including Ultraman, Ultra Seven, and Ultraman Mebius among many others mobilize to put a stop to Ultraman Belial’s plans and face off against his monsters.
Bad Ultraman plus one hundred giant monsters versus a team of fifty good Ultramen? Madness, I say. Madness. And the first glimpse of the madness can be seen in the teaser below the break.
Continue Reading "ULTRAMAN Returns For A MEGA MONSTER BATTLE!"...
