Cannes 2014 Review: THE BLUE ROOM, A Surreal And Engaging Noir Thriller

While most film audiences outside France will recognize Mathieu Amalric as the villain from Quantum of Solace, he's been directing films in addition to his great acting work for more than twenty years in his native country. HIs last feature,... More »
  

Cannes 2014 Review: WILD TALES Is Wicked Fun

I've seen some of the best (and worst) films out of twenty years of doing festivals by seeing that random film that fits between two scheduled other screenings. Sometimes it works (it's how I discovered a love for Kim Ki-Duk,... More »
  

Cannes 2014 Review: Action Thriller THE TARGET Misses the Mark

Normally we read about which new Korean thriller has had its remake rights snatched up by a Hollywood studio (news which invariably leads to a fervent chorus of opposition among Korean film fans) but these days we're starting to see... More »
  

Review: KOCHADAIIYAAN Is An Undercooked Epic Whose Reach Exceeds Its Grasp

Rajnikanth is a transcendent figure. He's more than a mere movie star; he's an idol, an ideal, an icon. He is the Superstar. So, when the makers of Kochadaiiyaan took that man and appropriated his image and voice and funneled... More »
By J Hurtado   
  

Review: CHINESE PUZZLE, Love And Life, Still So Complicated

The path to true happiness is strewn with thorns, and hedged in by emotions and personalities that often spiral out of control. That appears to be the overriding theme of the three films that Cédric Klapisch has made revolving around... More »
  

Cannes 2014 Review: SELF MADE, Funny, Savage, And Smart

Shira Geffen made a splash in 2007 with her debut Jellyfish, a film she co-directed with her husband, writer Etgar Keret. This time Geffen is going solo, and though she may not have many credits on her resume, her confidence... More »
By Ben Croll   
  

Review: THE DANCE OF REALITY, Jodorowsky Finds Magic In Reality

When we first meet the young-boy version of Alejandro Jodorowsky in his new "imaginary autobiography" The Dance with Reality (aka La Danza de la Realidad), he is wearing a long blond wig and watching in terror as his dad brawls... More »
  

Review: EDGE OF TOMORROW Is High Concept Sci-Fi At Its Most Fun

Tom Cruise is on fine form in the high concept sci-fi thriller Edge of Tomorrow, playing a military spin doctor in a war torn near-future, who is caught in a time loop, re-living the same day of mass carnage over... More »
  

Cannes 2014 Review: Xavier Dolan's MOMMY Delights

With Mommy, Xavier Dolan, at the age of 25, solidifies himself in the pantheon of great directors. It may sound hyperbolic, but the film features an explosive freshness, a delicate balance between humour and tragedy that's simply intoxicating. Mommy is a beautifully realized... More »
  

Review: FREQUENCIES, A Mighty Brain, But A Heart Three Sizes Too Small

There are two mantras at play in the offbeat philosophy lesson traveling in the guise of a film with the original gangly moniker of OXV: The Manual. The first one is that "knowledge determines destiny," and the second is that... More »
  

Cannes 2014 Review: GIRLHOOD Challenges Expectations From Its Very First Moments

Girlhood (Bande des Filles) quite literally kicks off to a running start. In the first second in the very first shot, a rush of decked-out football players come hurtling head-on directly at the camera. Backed by thumping, synth-heavy electropop, we follow... More »
By Ben Croll   
  

Cannes 2014 Review: In THE WONDERS, The Stings of Adolescence

The Wonders (Le meraviglie) is a poetic realist portrait of painful adolescence. Director Alice Rohrwacher tells a slight coming of age tale infused with melancholy, hardship but not without a sense of beauty. Gone is the Italy of opulence and... More »
By Ben Croll   
  

Cannes 2014 Review: WHEN ANIMALS DREAM, Stark And Haunting Arthouse Horror

One of the reasons I love genre film is that is gives opportunity to explore the human condition with strange metaphors, allowing the spectator perhaps a deeper and richer understanding than when trying to represent something directly. Such is the... More »
  

Fantaspoa 2014 Review: CHAMELEON (BUQÄLÄMUN), A Minimalist Azerbaijani Drama

I never expected to watch a film like Chameleon (Buqälämun) at Fantaspoa. This is not fantasy cinema at all but rather a minimalist drama and the very first Azerbaijani film I've ever seen. It is about people who are only... More »
  

Cannes 2014 Review: THE SALVATION Is Salivatingly Good

It's no longer really much of a bold move to call Mads Mikkelsen one of the finest actors working in the world today. A consummate thespian, his performances are always intoxicating to watch, be they in silly pulp-populism when playing... More »
  

NYIFF 2014 Review: In SNIFFER A Man Finds Himself In The Dirty Laundry Of Others

Most people show a lot of who they are through their interactions with others. Sure, there's the person we think we are, or the person that we imagine ourselves to be on our best days, but it's really how we... More »
By J Hurtado   
  

Cannes 2014 Review: A HARD DAY Is Easy-To-Love Genre Cinema

If you feel that tough genre fare in Korea has been spinning its wheels of late, you're not alone. While generally well made, the élan of yesteryear's hardboiled Korean thrillers has recently been replaced by a growing sense of familiarity... More »
  

Fantaspoa 2014 Review: RABBIT WOMAN (MUJER CONEJO) Is Part Thriller, Part B-Movie, And Always Pretty Damn Good

Ana Yang is the name of the lead character in Rabbit Woman (Mujer Conejo), a live-action film from Argentina that features some animated sequences as well. The name of its director is Veronica Chen, so we can indeed deduce the... More »
  

Cannes 2014 Review: A GIRL AT MY DOOR Is Korean Cinema At Its Finest

Screening in the Cannes Film Festival's Un Certain Regard section this year is A Girl at My Door, a film that is so well-wrought that one can't help but be swept up in its artistry, which effortlessly plunges us into... More »
  

Review: COMING HOME Trades Fascinating History For Underwhelming Romance

Zhang Yimou returns to his more humble, socially conscious roots, reuniting with former muse Gong Li for an earnest, if rather underwhelming, adaptation of Yan Geiling's The Criminal Lu Yanshi. While the historical significance of the story will resonate strongly... More »
  
  Next »
Page 4 of 251