Review: '71, A Remarkably Assured, Emotionally Powerful Debut

Yann Demange is very clearly a filmmaker who knows what sort of stories he wants to tell and how he wants to tell them, the sort who clearly knows his own skill set, how to best put it to use,... More »
By Todd Brown   
  

Review: MY LIFE DIRECTED BY NICOLAS WINDING REFN, Awkward And Thoroughly Intriguing

Note to filmmakers: If you capture the legendary Alejandro Jodorowsky in conversation with another filmmaker and he turns to the camera to ask you a question, be sure to lead with that. Wisely, that's what first-time filmmaker Liv Corfixen does... More »
By Peter Martin   
  

Review: THE SALVATION, A Hell Of A Lot Of Fun

It's no longer really much of a bold move to call Mads Mikkelsen one of the finest actors working in the world today. A consummate thespian, his performances are always intoxicating to watch, be they in silly pulp-populism when playing... More »
By Jason Gorber   
  

Review: BETTER CALL SAUL S1E04, HERO (Or, The Plan Comes Together)

With its fourth impressive episode so far, we can now confidently say that Better Call Saul knows what its doing and is doing it well. It's a worthy successor to Breaking Bad, not because it slavishly mimics what that show... More »
By Simon Cocks   
  

Review: JOY OF MAN'S DESIRING, An Unusually Mature And Assured Feature Debut

First-time helmer Sugita Masakazu made a splash at the Berlin International Film Festival last year with Joy of Man's Desiring, a quietly devastating and deeply lyrical picture paying tribute to all the children who have lost loved ones as a... More »
By Patryk Czekaj   
  

Berlinale 2015 Review: DYKE HARD's Zany Queer Musical Rock and Roll Extravaganza Worships The Best Of Trash

The Berlinale belongs in the triumvirate of most followed film festivals, eagerly pushing its fingers on the pulse of world cinema. As such, it brings a vast variety of oeuvres from all over the globe dubbed as arthouse films. Many... More »
By Martin Kudlac   
  

Rotterdam 2015 Review: VIDEOPHILIA (AND OTHER VIRAL SYNDROMES) Lust and Loathing in Viral Lima

The emerging director Juan Daniel F. Molero premiered his second film Videophilia (And Other Viral Syndromes) in the shrine of progressive audiovisual endeavours: Rotterdam. This rising star -- and somewhat young renaissance man -- is currently fiercely multitasking as director,... More »
By Martin Kudlac   
  

Thailand International Film Destination Festival 2015 Brings Stars To Bangkok

The third annual Thailand International Film Destination Festival wound up last week with the glittering pantheon of the Thailand's A list actors and actresses gliding along the red carpet to celebrate their lustrous, beautiful selves - and of course their... More »
  

Review: BADLAPUR, Who Wins When Sweet Revenge Goes Sour?

Badlapur opens with a single take of a bank robbery gone wrong. In any other film, this sequence would be a garish mish-mash of flashing lights, loud yelling, and confusion, however, in this world the major faux pas turns out... More »
By J Hurtado   
  

Review: WILD TALES, A Comedic Thought Experiment

As it happens, last year I found myself in a relatively short line at the Cannes film festival for "some Argentinian film," as the person standing next to me put it when I asked what we were to see. I... More »
By Jason Gorber   
  

NYC Happenings: Oshima's IT'S ME HERE, BELLETT and Eight Experimental Shorts by Tezuka, Rarities at Japan Society

For the past few months, New Yorkers have been treated to some great programs of rarely-screened films by major Japanese filmmakers at Japan Society. In the monthly film series "The Dark Side of the Sun: John Zorn on Japanese Cinema,"... More »
  

Rotterdam 2015 Review: UNDULANT FEVER Is Not Fifty Shades Of Pink

(Love is: accepting that his lust for sex can be a substitute for love, unless it can't, in which case you should hate the bastard, unless you love him regardless and you keep chasing him, because then you should persevere... More »
By Ard Vijn   
  

Review: Johnnie To Hits The Mark Once Again With DON'T GO BREAKING MY HEART 2

Veteran producer and filmmaker Johnnie To is back to his old tricks with Don't Go Breaking My Heart 2, a thoroughly watchable, stylishly lensed, beautifully unconventional, and often just plain hilarious follow-up to his hit 2011 rom-com about a trio... More »
By Patryk Czekaj   
  

Review: BETTER CALL SAUL S1E03, NACHO (Or, The Perils Of Trying To Do The Right Thing)

For an episode called "Nacho", this includes very little of the man himself. It's more about Jimmy's perception of Nacho (Michael Mando) and what he might do, rather than what he's really done. Jimmy is scared of him, but he's... More »
By Simon Cocks   
  

Berlinale 2015 Review: IEC LONG, A Haunting Exploration Of Macau's Lost Firecracker Industry

Chinese rockets explode in front of our curious eyes, and disappear in the black clouds of a nocturnal sky. The past haunts our ruins, overlapping times consisting of moving photographs and still film images. An old man has worked in... More »
  

Review: PLAN 9, The Spirit Of Ed Wood Is Alive And Well

Early on in Plan 9, a character complains that a remake of Plan 9 From Outer Space is the mother of all bad ideas. And really, it's hard to think of anything that could top Ed Wood's incompetent, legendary cheesefest... More »
  

Spokane 2015 Review: DRYLAND Combines Demolition Derbies And The Waning Of Wheat Farmers In Washington

O beautiful for spacious skies. For amber waves of grain. The Palouse region of the inland northwest is one of the wheat breadbaskets of the world. I recently relocated to this area and frequently commute from my small town of... More »
By Stuart Muller   
  

Berlinale 2015 Review: 45 YEARS, A Heart-Wrenching Look At Late Marriage

How much can, or should we, let the past affect the present? If our lives went one way instead of another, can we mourn too much what we didn't have? If you think you were not your spouse's only great... More »
  

Review: WHAT WE DO IN THE SHADOWS, An Incredibly Funny, If Slightly Bloody, Romp

From the opening title card that reads "New Zealand Documentary Film Council," it's pretty clear that What We Do in the Shadows is not going to be your typical vampire movie. Co-directed by Taika Waititi (Eagle Vs. Shark, Boy) and... More »
By Ryland Aldrich   
  

Review: WYRMWOOD: ROAD OF THE DEAD Races Away From Doomsday

Wildly apocalyptic with dollops of silliness, Wyrmwood: Road of the Dead proves to be a splendidly gritty affair, a tale that feels like it's being told from the back of a jeep as it races away from doomsday on a... More »
By Peter Martin   
  
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