DVD Review: Ruggero Deodato's THE WASHING MACHINE

(Dirty people apparently do not become any cleaner in a washing machine...) When you mention the name Ruggero Deodato, the first title which pops into mind will be the unbelievably infamous Cannibal Holocaust, and some aficionados might also mention The... More »
By Ard Vijn   
  

Fantastic Fest 2014 Review: THE ABSENT ONE Chronicles The Infuriating Power Of Evil

Absolute evil exists in this world, and that is absolutely infuriating. When it's captured in a murder mystery whose premise sounds like a thousand other murder mysteries, that is either a blessing or a curse. When it comes to The... More »
By Peter Martin   
  

Flip van der Kuil Drunkenly Reviews Flip van der Kuil And Steffen Haars' BROS BEFORE HOS

Shit, the guy sitting next to me is now drained. I think he's an Italian or something. He has as much as I drank half a bottle of vodka, but he's really bad. His eyes closed. Vodka was really tasty.... More »
By Todd Brown   
  

Nikolas List Drunkenly Reviews Nikolas List's TOMBVILLE

Tombille is no film on the virility Loccasioon finally got to put on Jai ran all my fantansmes If you think I fuck you Jai shoots the mother of my son is doing viloler by a group of men Jen... More »
By Todd Brown   
  

Fantastic Fest 2014 Review: I AM HERE Explores What Happens When A Biological Clock Pops A Spring

The concept of the early middle aged woman's biological clock is well established. It's expected that as childless women reach a certain age their body will begin to tell them that it is time. Now, obviously this is a gross... More »
By J Hurtado   
  

Fantastic Fest 2014 Review: AUTOMATA, Surreal Science Fiction At Its Best

Spanish filmmaker Gabe Ibáñez's long-awaited second feature Autómata is an intense and gripping dystopian story, bordering on European surrealism within a classical narrative. Certainly, many current films present a weary and negative view of humanity's future, be it death by... More »
  

Fantastic Fest 2014 Review: MY LIFE DIRECTED BY NICOLAS WINDING REFN Morphs Into A Whole New Thing

Note to filmmakers: If you capture the legendary Alejandro Jodorowsky in conversation with another filmmaker and he turns to the camera to ask you a question, be sure to lead with that. Wisely, that's what first-time filmmaker Liv Corfixen does... More »
By Peter Martin   
  

Fantastic Fest 2014 Review: Strong Visuals Not Enough to Save LET US PREY

Known primarily for stuffy literary films and the odd historical potboiler, or losing its talent to more attractive industries in the English diaspora, Ireland has, in recent years, become an unlikely purveyor of impressive genre fare. Though horror films are... More »
By Pierce Conran   
  

Fantastic Fest 2014 Review: THE TREATMENT Flays A Serial Killer And His Victims

A murderous meal prepared with familiar ingredients, The Treatment (originally titled De Behandeling) should, by all rights, be little more than a standard potboiler. The film follows the sensational case of a serial killer who first kidnaps mother, father, and... More »
By Peter Martin   
  

Fantastic Fest 2014 Review: THE MAN IN THE ORANGE JACKET Screams, Quietly

He's a rich old business executive who has just laid off one hundred workers. He's troubled as he returns home to his beautiful, isolated mansion with his lovely young wife. He needs a good night's sleep before heading to Italy... More »
By Peter Martin   
  

Fantastic Fest 2014 Review: TOMBVILLE Plunges Into Nasty Nightmare Territory

A young boy is handed a gun by his mother. It is night, the boy's mother is panicked, and an armed man is about to invade their home. The anxieties quickly mount in Tombville, Nikolas Last's feature directorial debut, even... More »
By Peter Martin   
  

Fantastic Fest 2014 Review: WHISPERS BEHIND THE WALL, For Those Who Listen Closely

'Stand over by the window, it's better light. Good. Now why don't you take off your sweater? Good. Now why don't you take off your shirt?' Martin (Vincent Redetzki) is desperate, so he does what he's asked by Horn, the... More »
By Peter Martin   
  

Fantastic Fest 2014 Review: BLIND, A Stunning, Sensitive Ode To The Lonely

What we see: A street in Oslo, Norway. A dress shop. Pedestrians stream on by. Standing on the inside of the shop is a German Shepard. It Barks. Spittle hits the window. Pedestrians stream on by. What we hear: A... More »
By Ben Umstead   
  

Toronto 2014 Review: LEVIATHAN Takes A Gorgeous And Savage Look At Modern Russia

A rundown fishing town on the coast of the Arctic Ocean is the rugged edge-of-the-world stage for Andrey Zvyagintsev's complex, but quite accessible, new film. There is a visual mastery of relating wide open natural spaces, with precise man-made interiors, present... More »
By Kurt Halfyard   
  

L'Etrange 2014 Review: THE TRIBE, No Sound, But A Whole Lot Of Fury

Not one word of dialogue is spoken in director Myroslav Slaboshpytskiy's The Tribe, a stark Ukrainian drama that mixes gang thriller with boarding school intrigue, and pushes the maxim 'show don't tell' into brutal new extremes. The film presents a... More »
By Ben Croll   
  

Toronto 2014 Review: THE DUKE OF BURGUNDY, A Sublime And Specific Sex Comedy

Starting off with what is undoubtedly the opening credit sequence of the year, Peter Strickland's The Duke of Burgundy never ceases to surprise and delight over its 100 minutes, offering a dry but meticulous humour and rhythm. Those credits, offering... More »
By Kurt Halfyard   
  

Toronto 2014 Review: Winterbottom's THE FACE OF AN ANGEL Is A Meta-Narrative Thriller That Works

It's a dangerous thing to make a movie about making a movie. It's even more dangerous when the movie is about the writing process for the very movie the audience is watching. Not only is the meta-narrative difficult to pull... More »
By Ryland Aldrich   
  

Toronto 2014 Review: SPRING Is No Sophomore Slump

"You saw me all fucked up and I am still here." So says Evan (Lou Taylor Pucci) to his Italian girlfriend, Louise (Nadia Hilker), after discovering that her 'little secret' is well outside his comfort zone. It is this moment, well... More »
By Kurt Halfyard   
  

Toronto 2014 Review: CLOUDS OF SILS MARIA Will Age Gracefully

The eponymous image of Clouds of Sils Maria features a heavenly mist snaking its way through mountain peaks like a river, the rocks frozen in time, immutable, the clouds in perpetual motion.It is shown as shot for Olivier Assayas in 2014,... More »
By Kurt Halfyard   
  

Review: It's Baudrillard Revisited In Czech Anti-Rom DELIGHT

Czech director Jitka Rudolfová rejoins the ranks of emerging filmmakers worth following. Her feature debut, a sort of generational observation piece called Dreamers, focuses on a group of friends in their 30's who decide to change their aimless lives. Delight... More »
By Martin Kudlac   
  
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