SXSW 2016 Review: PET Stirs Up Emotions That Are Not Easily Caged

A woman is locked in a cage by a man who wants to change her. That's both a metaphor for too many modern relationships and the premise of a new film by director Carles Torrens (Apartment 143). Seth (Dominic Monaghan),... More »
By Peter Martin   

Review: BELGICA Surprises, Except When It Doesn't

Belgian director Felix van Groeningen managed to make major waves internationally in the art-house circuit with his films The Misfortunates and especially The Broken Circle Breakdown, so I was quite happy when one of the surprise films of the International... More »
By Ard Vijn   

SXSW 2016 Review: GOODNIGHT BROOKLYN - THE STORY OF DEATH BY AUDIO, Bittersweet And Rightfully Angry

A bittersweet memoir of a independent music venue that proved to be much more than a place for bands to play their music as loudly as possible, Goodnight Brookyn - The Story of Death By Audio is also a screed... More »
By Peter Martin   

SXSW 2016 Review: AMERICAN FABLE Teems With Brilliance

In 1982, Reagan's America looked pretty darn convincing ... on television ... if you were 11 years old. But for hundreds of farmers across the heartland of the U.S.A., times were desperate. They were losing their farms, their homes, their... More »
By Peter Martin   

SXSW 2016 Review: JOHNNY FRANK GARRETT'S LAST WORD, When Capital Punishment Is Not Enough

In October 1981, Sister Tadea Benz, a 76-year-old nun, was raped, strangled, beaten and stabbed to death. Johnny Frank Garrett, age 17 at the time the crimes were committed, was later convicted. He was executed in February 1992, one of... More »
By Peter Martin   

SXSW 2016 Review: In A STRAY, Refugees Are Not Left Behind

"You don't have to live like a refugee," Tom Petty sang in 1979. The musician was reacting to the pressures of the music business when he wrote the lyrics, he said later, but the song has resonated for years because... More »
By Peter Martin   

SXSW 2016 Review: TEENAGE COCKTAIL, A Potent Mix Of Love, Lust, And Something More

Ah, young love! Unexplored emotions come tumbling together, and every thought feels awkward. The gestures are fumbling, tentative, and clumsy: Where do I put my hand? Is it OK if I do ... that? Far more than a straightforward teen... More »
By Peter Martin   

SXSW 2016 Review: BANG! THE BERT BERNS STORY Remembers A Forgotten Legend

In recent years, several documentaries have explored the mythical world of popular music in the 1960s, including Morgan Neville's Twenty Feet From Stardom (about backup singers) and Denny Tedesco's The Wrecking Crew (about session musicians). Now comes Bang: The Bert... More »
By Peter Martin   

SXSW 2016 Review: THE SLIPPERS Reveals Unexpected Hollywood Treasures

The shoes in questions were made for Judy Garland in The Wizard of Oz, but the true, fascinating, ever more complex world of The Slippers begins in earnest after she took them off. Granted, the new documentary by Morgan White... More »
By Peter Martin   

Review: THE AUTOMATIC HATE, Family Skeletons Get Rattled, Disastrously

Not all families are good or well-adjusted; there are often rifts (reasonable or not) between parents and children, siblings, cousins. Some of us might find out about skeletons in a closet, and sometimes those skeletons are best left undisturbed.  In... More »

Review: EXCESS FLESH Makes You Uncomfortable To Make A Point

Jill (Bethany Orr) is a typical misfit, a painfully shy girl who doesn't fit in in L.A., much less in her own apartment, which she shares with the superficial, abusive Jennifer (Mary Loveless), a class-A bitch who wolfs down bags... More »

Review: HERE COME THE VIDEOFREEX Looks Back, On Tape

Or: How a Bunch of Dirty Hippies Stole Television, and Almost Got Away with it. In the late 1960s, TV news field reporting was still shot on film. This required all manner of kowtowing to the format's sensitivities: light tight... More »
By Jim Tudor   

Review: KNIGHT OF CUPS, A Malick For The New Day

Rejoice ye fans of Terrence Malick - your wily transcendentalist has emerged again! And though the film doesn't equal (ahem... transcend) his previous highs, Knight Of Cups at least finds the idiosyncratic auteur trying something new. Malick's style remains the... More »
By Ben Croll   

Review: SONGS MY BROTHERS TAUGHT ME, Confident, Measured And Mature

The debut feature from Beijing-born Chloe Zhao focuses on the unlikely subject matter of adolescent Lakota indians in South Dakota. Beautifully photographed and confidently directed, Songs My Brothers Taught Me is a notable first film, marred only by a rather... More »
By James Marsh   

Now On Blu-ray: JP Simon's PIECES On Blu Looks Better Than Could Have Been Imagined

One of my first DVD reviews here at TwitchFilm was for the Arrow Video DVD release of Juan Piquer Simon's Pieces. At the time I was a virgin to the wonder of this incredibly bizarre and impossibly entertaining piece of... More »
By Charlie Hobbs   


Arrow Video continues its assault on pocketbooks on both sides of the Atlantic with its latest releases. We've taken a look at three of their recent Blu-ray discs for you. First up is Gordon Hessler's early '80s ninja classic, Pray... More »
By J Hurtado   

Glasgow FrightFest 2016 Review: PANDEMIC, A Bleak If Derivative Viral Apocalypse

"Just try to think of it as a game. It'll help." This is the unnamed Gunner (Mekhi Phifer) speaking to his unit's new doctor Lauren Chase (Rachel Nichols), as he describes the best mental attitude to adopt while beating people from their moving... More »
By Anton Bitel   

Glasgow FrightFest 2016 Review: ANGUISH Is Two Films In One Body

A mother Sarah (Karina Logue) and her teenaged daughter Lucy (Amberley Gridley) are out driving. "It's not fair!" complains Lucy, upset about the boundaries being imposed on her adolescent conduct. This leads Sarah to cite the traditional saying amongst the... More »
By Anton Bitel   

Review: THE LAST MAN ON THE MOON, For Those Who Stare Into The Sky And Wonder

Initially more of a hagiography than a documentary, The Last Man on the Moon gradually expands beyond its worshipful stance to examine the U.S. space program and, in particuar, the contributions of the titular astronaut. The U.S. space program in... More »
By Peter Martin   

Review: THEY LOOK LIKE PEOPLE, Terror At Its Very Best

It begins in the dark hollows of your mind. But you can feel it in your heart. Pumping through your veins. The notion that something is wrong. That the world is wrong. That reality is not what it seems. That... More »
By Ben Umstead   
  Next »
Page 4 of 48