SXSW 2014 Review: THAT GUY DICK MILLER Shines A Light In The Shadows Of American Cinema

Most film fans know the face, but very few know the name. Dick Miller is one of those guys we see in film after film, completely inhabiting the characters he's given for whatever brief amount of screen time he has.... More »
By J Hurtado   
  

Review: THE COLD LANDS, Blink and You'll Miss a Terrific Performance From Lili Taylor

Often, films challenge morals: what is right, what is wrong, and what happens when you pick a side. There are times, however, when nothing is resolved yet the question lingers throughout the film. This is the baffling case of The... More »
  

Review: TEENAGE Is A Fascinating Look At The Emergence Of A Cultural Norm

Who are these fickle lords of pop culture? Where did they come from? Though the awkward age has by now been institutionalized as a demographic concept with immense cultural power (see: Beiber, Demigod), "teenager" is a relatively new social concept... More »
  

SXSW 2014 Review: A WOLF AT THE DOOR Huffs, Puffs, and Blows Sweet Love Goodbye

In the fairytale classic  the Three Little Pigs, -- you guessed it -- three little pigs set out in the world to find their fortune. Things come to an abrupt halt, however, when an asshole big bad wolf comes... More »
  

SXSW 2014 Review: STAGE FRIGHT Sings, Dances, And Slashes Its Way Into Hearts

In the fall of 2010, everyone at Fantastic Fest was talking about The Legend of Beaver Dam, a short film that looked like a spooky horror flick until it burst into a musical. The short captured the disparate moods required... More »
  

SXSW 2014 Review: STARRY EYES, A Surrealistic Trip Down The Boulevard of Broken Dreams

"Would you give me your body to be a vessel for my voice?," asks the nefarious casting director of the wide-eyed starlet Sarah Walker at the sort of audition parents, boyfriends, and general advocates of decency shudder at the thought.... More »
By Zach Gayne   
  

SXSW 2014 Review: SEQUOIA Rises High

Suicide can be a pretty tough subject to tackle in film. Nine times out of ten, a "will they/won't they" drama suffers from the major flaw of deflated stakes as the audience is smart enough to figure out the... More »
  

SXSW 2014 Review: HOME, Quiet Horror With A Touch Of The Creepy Crazy

A teenage girl in love with a teenage boy plays a cryptic game. A twenty-something woman goes about her rounds as a real estate agent in a depressed market, then visits her younger sister, a depressed artist. These three women... More »
  

SXSW 2014 Review: CHEF Cooks Up Profound Retrospect

I've been waiting 15 years to give Jon Favreau the glowing review he's earned in spades with his return-to-roots film Chef. He has no doubt had a very interesting career since his initial indie splash Swingers back in '96, but... More »
By Zach Gayne   
  

SXSW 2014 Review: PREDESTINATION, Poignant And Haunting Time Travel

A guy walks into a bar and tells a spellbinding story that has nothing to do with time travel. It's haunting, it's poignant, and it takes up the first big chunk of Predestination, a new movie from the Spierig Brothers... More »
  

SXSW 2014 Review: WETLANDS Paints An Excitingly Vulgar Picture

When a film begins with a teenage girl deliberately smearing her genitals all over an especially disgusting public toilet seat, you pretty much have an idea what you're in for. Wetlands, director David Wnendt's sophomore feature after the award winning Nazi... More »
By J Hurtado   
  

SXSW 2014 Review: 13 SINS, A Gruesome Thriller That Starts With A Fly

Nicely-demented, Daniel Stamm's 13 Sins functions best as a gruesome thriller with a sense of humor. The deck is stacked quite heavily against Elliot (Mark Webber), a salesman who's preparing to marry his pregnant girlfriend Shelby (Rutina Wesley, from True... More »
  

Review: THE WRATH OF VAJRA Is Pure Martial Arts Madness

Martial arts films are a dime a dozen in Southeast Asia, however, finding a really good one is pretty difficult these days. Either the film's action is overly dependent on goofy wire work, or the filmmakers let ridiculous things like... More »
By J Hurtado   
  

Review: THE GRAND BUDAPEST HOTEL, An Ode To Joy

Regrettably, Beethoven got there first. In another world, The Grand Budapest Hotel, a celebration of wit and style and class, an example of a technical master working at the top of his craft, a work as warm and genuinely funny... More »
By Ben Croll   
  

Review: HAIRBRAINED, Coming Of Age, Without The Quirk

All his life Eli, a 14-year old genius, has wanted to go to only one school. Harvard. But when the school rejects his application, he finds himself enrolled at Ivy League wannabe, Whittman College. When the Mastermind team from Harvard visits... More »
  

Review: HOLY GHOST PEOPLE Sadly Slips From Scary To Silly

For the first hour or so, Mitchell Altieri's Holy Ghost People is a tense backwoods thriller centered around a small charismatic Christian community somewhere in the Appalachian mountains. Once that hour is up, though, things turn a bit wacky and... More »
By J Hurtado   
  

Rotterdam 2014 Review: THE PINKIE Is Fun, But Comes Up A Bit Short

(Talk about a film trying hard to wrap you around its little finger...) Lisa Takeba's feature film debut The Pinkie was one of the many World Premieres this year at the International Film Festival Rotterdam. A flashy little comedy drama... More »
By Ard Vijn   
  

Rotterdam 2014 Review: IN DARKNESS WE FALL Does Not Stumble

(In a cave, everyone can hear you scream...) While there is generally a dearth of genre films at the International Film Festival Rotterdam, on occasion we do get the odd treat or two. This year the festival had a bona-fide... More »
By Ard Vijn   
  

Rotterdam 2014 Review: AFTER THE TONE Leaves A Message

(Hi, this is Twitch, if you want to read the review, please start after the bracket...) Some films catch attention because of a single, clear, brilliant idea. Something you immediately know could be great, or fail badly, based on execution.... More »
By Ard Vijn   
  

Review: NURSE Nakedly Exploits Sex and Serial Killers for Fun and Profit

Exploitation (wink) films (wink) are so hard (tee hee! hehe!) to make (wink) nowadays. Back in the halcyon days of the 1970s, producer Roger Corman could assign a young director to make a film on a tiny budget on a... More »
  
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