Review: THE OVERNIGHTERS, A Shattering Experience

It's a rare and beautiful thing when a film can surprise you. I was taken completely off guard by The Overnighters, a film that I figured would be a stark if a bit earnest take on post-recession America. What I... More »
  

Vancouver 2014 Review: WELCOME TO ME Stokes The Fires Of Disability Discourse

Kristen Wiig has been enjoying a lengthy run of success since leaving Saturday Night Live in 2012. Her humor is punctuated by awkward, uncomfortable stares, or lines delivered with more weight -- loneliness, sadness, regret -- than they seem to... More »
  

New York 2014 Review: It's The Trip, Not The Destination, In INHERENT VICE

P. T. Anderson faithfully adapts Thomas Pynchon's most accessible novel, the zaniest surf noir, Inherent Vice. It is also the first time he's worked with a large ensemble cast since Magnolia. The result is often hilarious, a laborious snapshot of... More »
  

Review: FISHING WITHOUT NETS Expertly Expands the Somali Pirate Story

You'd be excused for a slight case of déjà vu when reading the description of Cutter Hodierne's feature debut Fishing Without Nets. Somali pirates have been a hot topic lately with both Danish film A Hijacking and Paul Greengrass's Tom... More »
  

Review: LEFT BEHIND, Polite, First-Class Apocalyptic Disaster

So long, suckers! What's most remarkable about Left Behind isn't that Nicolas Cage is starring in a religious-themed movie about the end of the world, nor is it that longtime stunt coordinator extraordinaire Vic Armstrong is finally directing his sophomore... More »
  

Vancouver 2014 Review: WHITE BIRD IN A BLIZZARD, Gregg Araki's Nostalgic, Seductive Puzzle

Gregg Araki's latest offering, White Bird In A Blizzard, is set during the time period when Araki first began making films (1988-1991). Because of this, the sets and costumes are rendered with a loving nostalgia that never feels overly novel.... More »
  

Review: JIMI: ALL IS BY MY SIDE, A Momentously Audacious Musical Biopic

Making a movie about a musician is bound to be extremely difficult when you don't have the permission of the family's estate. Why has there never been a definitive Elvis biopic -- or Kurt Cobain either, for that matter?... More »
  

Fantastic Fest 2014 Review: HIGH FIVE Revels In Drug-Fueled Mayhem

Manuel Facal's High Five (Relocos y Repasados) is an Uruguayan stoner comedy that belongs in the company of the greats. While drug movies have been around for at least 50 years, it wasn't until the legendary Lou Adler's adaptation of the... More »
  

Fantastic Fest 2014 Review: NORWAY, A Delightfully Odd Vampire Tale From Greece

If you're craving electronic music, handmade sets and 80s cinema homages aplenty with your basic vampire lore, then Yannis Veslemes' debut feature Norway is one to keep an eye on. By no means a cult classic, the film is wonderfully... More »
  

Fantastic Fest 2014 Review: I AM HERE Explores What Happens When A Biological Clock Pops A Spring

The concept of the early middle aged woman's biological clock is well established. It's expected that as childless women reach a certain age their body will begin to tell them that it is time. Now, obviously this is a gross... More »
By J Hurtado   
  

Fantastic Fest 2014 Review: WASTELANDER PANDA: EXILE Takes Its Anthropomorphic Oddity Very Seriously

Victoria Cocks' post-apocalyptic saga of an anthropomorphic panda trekking across a great barren wasteland in search of redemption is remarkably restrained in its treatment of this absurd concept. Wastelander Panda: Exile's greatest asset is, without a doubt, its commitment to world... More »
By J Hurtado   
  

Fantastic Fest 2014 Review: FELT, Healing Through Art Gets Extremely Human

There comes a moment early in Toad Road director Jason Banker's Felt which beautifully sets the tone for what is to unfold over the next 70 or so minutes of his second narrative feature: After partying with a few young... More »
  

Fantastic Fest 2014 Review: BLIND, A Stunning, Sensitive Ode To The Lonely

What we see: A street in Oslo, Norway. A dress shop. Pedestrians stream on by. Standing on the inside of the shop is a German Shepard. It Barks. Spittle hits the window. Pedestrians stream on by. What we hear: A... More »
  

Fantastic Fest 2014 Review: ABCs OF DEATH 2 Is A Superior Sequel

It is common knowledge that sequels rarely, if ever, either improve upon or best their original. Which makes the latest addition to the short horror film anthology The ABC's of Death 2 a truly rare - if not totally unexpected... More »
By Rachel Fox   
  

Fantastic Fest 2014 Review: CLOSER TO GOD, A Scientist Clones, While Everyone Else Fights About It

Turning a hot-button issue into a dramatic soap opera would be the easy way out. Skipping over the procedures and processes that would be involved, Closer to God goes directly to the creation of a clone and then asks, "What... More »
  

Toronto 2014 Review: ST. VINCENT Delivers Vintage Bill Murray

Not everybody watches quite as many films as some of us. There are those where getting out to a theatre isn't a weekly (or, in my case, daily) occurrence, where the schlepp of getting there, standing in line, getting... More »
  

Review: THE GUEST, More Magnificent Midnight Madness

With last year's release of You're Next and contributions to the V/H/S and ABCs of Death horror anthologies, director-writer duo Adam Wingard and Simon Barrett are quickly becoming two of the most exciting filmmakers working in the genre space right... More »
  

Toronto 2014 Review: WHILE WE'RE YOUNG Is Too Proud Of Being Old

It pains me to give a Noah Baumbach film anything less than a glowing review, especially considering there is so much that works about his new film, While We're Young. The premise is his most appealing to date, which, at a glance,... More »
By Zach Gayne   
  

Toronto 2014 Review: THE EDITOR Is Eager To Please

The directors of The Editor, Adam Brooks and Matthew Kennedy, along with the rest of their cohorts from VHS-obsessed Winnipeg film collective Astron-6, must have been mighty pissed when they caught wind of Berberian Sound Studio. Peter Strickland's 2012 film was... More »
  

Review: THE MAN ON HER MIND Can't Imagine Rom-Com Success

In the world of "indie filmmaking," there are some pretty readily identifiable tiers. There is, of course, the Sony Pictures Classics level of indies - the kind of films with budgets reaching well into the millions, featuring recognizable stars and often... More »
By Jim Tudor   
  
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