Jim Tudor
Featured Critic; St. Louis, MO

Jim has been with Twitch since its first year. He's also reviewed films for ImagineDat and KTRS AM 550 in St. Louis. He has a member of the St. Louis Film Critics Association since 2011. When he isn't busy writing about movies, he's most likely working to help make 'em. Jim has served in the Art Department of such motion pictures as GONE GIRL, THE INFORMANT!, and THE LUCKY ONES. He was Art Director on SAVING SHILOH, KINGSHIGHWAY, and MARSHALL THE MIRACLE DOG. Additionally, Jim has worked regularly as a freelance video editor since 1998. He also co-hosts the reoccurring comedy show on BlogTalkRadio, The Wonder Show. He is a life-long St. Louisian, living there with his wife and four children.

Review: BIG EYES Goes Bleary In Spite Of Itself

You think you know a guy... For the whole of his directorial career, former animator Tim Burton has drawn an image of himself as Hollywood's foremost misunderstood weirdo. In a supposedly creative business and culture dominated by more-of-the-same, he was... More »
By Jim Tudor   

Twitch's Top 10 Movies Of 2014

And that's the end of that chapter. 2014 is running on fumes and all eyes are already looking to awards season and the behemoths of next year that threaten to decimate the box office. The Avengers: Age of Ultron, Star... More »
By James Marsh   

Review: THE HOMESMAN Takes Tommy Lee Jones Out To Pasture

Hollywood's most high-falutin' varmint must be Tommy Lee Jones. As difficult and humorless as he's perceived to be (and sometimes said to actually be), he's gone and built a career on imbuing a certain curmudgeonly ease into whatever films he... More »
By Jim Tudor   

Review: THE PENGUINS OF MADAGASCAR Rules The Animated Comedy Roost

I don't know whether to call this a TV spin-off or a bigger franchise's "side project." Whatever it is, The Penguins of Madagascar is something fresh to me. I went in, kids in tow, knowing nothing. I haven't laughed this hard... More »
By Jim Tudor   


(All In Good Time, or: just how stellar was Interstellar?) By now Christopher Nolan's Interstellar has been orbiting most of the world in wide release for a week, and it sure has left its mark. It's raking in money, although... More »
By Ard Vijn   

St. Louis 2014 Review: THE MAKINGS OF YOU Makes A Noteworthy Debut

Whenever Hollywood comes to St. Louis, Missouri (my hometown) the filmmakers are inevitably bowled over by the architecture, the vibe, and the sheer possibilities the city has to offer in terms of diverse filming locations. In the past few decades,... More »
By Jim Tudor   

Full Disclosure 2014 The Directors Cut: Werner Herzog

After a couple of months off, Full Disclosure is back, with an exploration of the work of a true cinematic maverick, Werner Herzog. In a career spanning 50 years, the uniquely accented German filmmaker has gifted us dozens of feature... More »
By James Marsh   

Review: OUIJA Fails To Go Bump In The Dark

I'm sure I speak along with the rest of the world when I proclaim, "Oh good, another movie based on a board game." But then again, has an Ouija board ever really been considered merely a board game? For years,... More »
By Jim Tudor   

Review: THE BOXTROLLS Is Corrugated Yet Impressive

You give a kid a flashy brand-name mechanical toy, but he'll have more fun playing with the box. As that old truism goes for kids, perhaps it'll prove just as true for filmgoers. In 2014, Transformers: Age of Extinction -... More »
By Jim Tudor   

Review: PROJECT WILD THING, A Well-Grown, Multi-Layered Doc

David Bond wants you to get out. Get outside, that is. Soak up some sun! Frolic in a field! Meet some bugs! Hug a tree, if you're so inclined. He's armed with business cards, brochures, t-shirts, and a website. Yes, he's... More »
By Jim Tudor   

Review: THE MAN ON HER MIND Can't Imagine Rom-Com Success

In the world of "indie filmmaking," there are some pretty readily identifiable tiers. There is, of course, the Sony Pictures Classics level of indies - the kind of films with budgets reaching well into the millions, featuring recognizable stars and often... More »
By Jim Tudor   

Twitch Film Celebrates 10 Years

A decade is an absolute eternity online, a marker that I certainly never thought I'd reach when registering the first domain for Twitch ten years ago now, and yet here we are. Honestly, I never thought much of anything about... More »
By Todd Brown   

Full Disclosure 2014 The Directors Cut: Alfred Hitchcock

This month, the Master of Suspense himself, Alfred Hitchcock would have been celebrating his 115th birthday. But while he shuffled off his mortal coil back in 1980, his legacy remains as healthy as ever thanks to a hugely innovative, influential,... More »
By James Marsh   

Review: THE LAST OF ROBIN HOOD Kills Off Errol Flynn Once And For All

There aren't enough R's in "Errol Flynn" to convey just how R-rated the actor's life truly was. It's said that Flynn, one of the most iconic Hollywood swashbucklers to ever live (his most famous work, 1938's The Adventures of Robin... More »
By Jim Tudor   

Review: THE NOVEMBER MAN, A So-So August Rush

There are only two months separating August and November, yet they couldn't be more different. August is a final bastion of heat, transitional as summer break ends and school begins. November, by contrast, is chilled fall giving way to... More »
By Jim Tudor   

Review: TO BE TAKEI Is Okay, By George

George Takei (pronounced Tak-AY, not Tak-EYE or Tak-EEE - and don't you forget it!) has a speech he often gives. It's a formal speech about the persecution his family experienced in a Japanese internment camp during World War II, that briefly... More »
By Jim Tudor   

Review: THE GIVER Tells Recycled Story In One Shade of Grey

To say that the apocalypse is the gift that keeps on giving is probably too easy and too predictable in this context, but then again, so too is The Giver. In the current age of The Hunger Games, Divergent, and umpteen... More »
By Jim Tudor   

Review: GET ON UP Gets Down With Its Bad Self

The brand new James Brown biopic Get On Up is a mixed bag, both admirable and aggravating. It manages to wear out it's welcome with only a few bad scenes. It's both boring and totally engaging; inert while dancing up... More »
By Jim Tudor   

Full Disclosure 2014 The Directors Cut: Ingmar Bergman

As most of the world suffers through the sweltering heat of summer, we head to the bleak and wintry climes of Sweden for this month's Full Disclosure. Each month, we focus on a different filmmaking force of world cinema and... More »
By James Marsh   

Review: MAGIC IN THE MOONLIGHT, Woody Allen Still Believes

Woody Allen may not believe in God, but he does believe in magic. This much has been clear for years, at least since "Oedipus Wrecks," his entry in the 1991 anthology film New York Stories, in which a hapless magician's mother... More »
By Jim Tudor   
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