TIFF 2013 Music Doc Dispatch: 12.12.12 And MADE IN AMERICA

There are loads of ways to do a concert documentary. One is to simply shoot the goings on that take place on stage - set up a bunch of cameras and be done with it. Given that the majority of... More »
  

TIFF 2013 Review: SUNSHINE ON LEITH Supplies Musical Warmth

What would happen if Ken Loach or Mike Leigh made a musical? You know, cast a bunch of hardscrabble Brits in a family drama, add a bit of grit and friction, and set it all within the context of a... More »
  

TIFF 2013 Review: In THE F WORD, F Is For Fresh

Ah, the 20-something romantic comedy. A genre usually filled with twee Emo-soundtrack tunes, magical or manic pixie dreamgirls, and the shuffling boys who win their love through good heartedness. Some are decent, some utterly wretched, but most follow a pretty... More »
  

TIFF 2013 Review: BAD WORDS, Jason Bateman's Dark And Funny Debut

The career of Jason Batemen is rather fascinating. Rising from a sidekick on Silver Spoons early in his career, he stumbled through a number of films that his sister's sit-com sibling would pass on (including the truly egregious Teen Wolf Too).... More »
  

TIFF 2013 Review: ENEMY Explores Villeneuve's More Unique Side

With film, things often come in pairs. Sometimes the doubles are explicit; some studio vying with another for a given plot, be it a tale of animated insects or impending asteroid impacts. Sometimes, the twinning takes the form of accidental... More »
  

Twitchvision: Jason Gorber Wraps Up TIFF 2013

Despite barely being able to string two sentences together with any kind of coherence, yet wearing a R100 shirt for good measure, I managed to not sound like a complete idiot last night chatting with Scott Laurie about TIFF 2013.... More »
  

TIFF 2013 Review: WITCHING & BITCHING Is Vulgar Auteurism At Its Most Manic

They are in every city along the main tourist drags, those living statues of celebrities, comic book characters and horror icons just standing there, silently hoping for your loose change.  In Álex De La Iglesia's latest bit of mayhem, they're... More »
  

TIFF 2013 Review: ALL IS BY MY SIDE Is A Momentously Audacious Musical Biopic Fitting of The Jimi Hendrix Experience

Making a movie about a musician is bound to be extremely difficult when you don't have the permission of the family's estate. Why has there never been a definitive Elvis biopic -- or Kurt Cobain either, for that matter?... More »
  

TIFF 2013 Review: THE STAG Works Its Comedy Formula To Perfection

There is a commonly stated belief among film fans - particularly the sort of fans who frequent film festivals - that formula is bad. That everyone should strive for originality, should tell a story that has never been told before.... More »
By Todd Brown   
  

TIFF 2013 Review: NIGHT MOVES is a Tense Showcase of Guilt and Paranoia

When purchasing a used boat for an act of extreme vandalism, the young activist, quips that she chose the one named "Night Moves" because it was better in her mind than "Sea Breeze" or "Heart's Ease." I tend to pay... More »
  

TIFF 2013 Review: FELONY Cops Out In The End

In the course of a day, detective Malcolm Toohey goes from participating in a major sting operation that gets him shot to celebrating and singing Bon Jovi with his officers in the cop bar, to hitting a child with his... More »
  

TIFF 2013: Short Film YOUNG WONDER Just Described My Entire Childhood!

Two things are happening here. Either James Wilkes and I are kindred spirits. Or. The guy has been sneaking into my room at night and tapping into my brain to access my childhood memories and is using them for his... More »
  

TIFF 2013 Review: PRISONERS Is a Tense Thriller With a Few Nagging Problems

Call me contradictory, but I never quite understood the fuss made of Denis Villeneuve's 2011 Best Foreign Language Feature Oscar-nominated Incendies. While I was impressed by the filmmaking, I had some serious issues with the story that left me... More »
  

TIFF 2013 Review: A FIELD IN ENGLAND Is A Terrifying Headtrip Into The British Countryside

Bold, beautiful and utterly bonkers, Ben Wheatley's A Field in England is a mind-bending monochrome masterpiece likely to alienate as many as it seduces with its surreal visuals and delightfully deranged performances. As a fan of director Ben Wheatley since... More »
  

TIFF 2013 Review: JOE Paints a Searing Portrait of Rural Torment

Nicolas Cage has enjoyed a varied career, to say the least. From big budget blockbusters to notable indies, many would call his decision making curious, if not downright bizarre. In a lot of ways, this echoes the directing choices... More »
  

TIFF 2013 Review: WE GOTTA GET OUT OF THIS PLACE Is A Smart Slice Of Small-Town Noir

The feature debut from directorial siblings Simon and Zeke Hawkins is a tense and earthy film noir that wears its pulp influences proudly on its sleeve as it weaves a tale of love, betrayal and escape through the underbelly of... More »
  

TIFF 2013 Review: COLD EYES Looks To The Best For Inspiration

Korean thrillers have earned a reputation for consistency over the years and, though there may only be a few great ones, the majority of them are solid efforts. However, we've come to expect a lot of the same tropes as... More »
  

TIFF 2013 Review: A TOUCH OF SIN Is A Touch Too Slight

Almost a week after I screened A Touch Of Sin, I'm still trying to come to grips with my reaction to it. There's plenty to admire about Jia Zhangke's film, from its stark violence through its sweeping scope, but I... More »
  

TIFF 2013 Review: THE STRANGE COLOUR OF YOUR BODY'S TEARS Will Break Your Brain

Already well loved on the festival circuit for a string of stellar, giallo infused short films, Belgium based directing duo Bruno Forzani and Helene Cattet burst on to the international scene is spectacular fashion with their 2009 debut feature Amer.... More »
By Todd Brown   
  

TIFF 2013 Review: THE UNKNOWN KNOWN Is A Zen Koan

A snow globe shaking back and forth, little white flecks - snowflakes - swirl and obfuscate whatever is in the globe. Oh my what a loaded image. It is one of the chief ones Errol Morris employs in his lengthy... More »
  
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