Sundance 2015 Review: Invaluable Happenings From STATION TO STATION

It consists of countless bands, playing on and off a polychromatic train as it passes through innumerable cities. But Station To Station is no rockumentary. That it often features brilliant bands playing live on a train will perhaps evoke, for some, the choo... More »
By Zach Gayne   
  

Sundance 2015 Review: THINGS OF THE AIMLESS WANDERER, A World-Class Stunner

To be absolutely mesmerized by a film, totally transfixed, is a rare happening in cinema, but should be the norm, right? Rwanda director Kivu Ruhorahoza's Things Of The Aimless Wanderer is just such a film, spectacular and ambitious in all... More »
By Ben Umstead   
  

Sundance 2015 Review: CARTEL LAND Documents A Moral Quagmire

An astonishing journalistic achievement, Cartel Land captures in unprecedented ways the moral quagmire that inexorably links the consumers of drugs in the U.S. with the suppliers south of the border. What sets this film apart is the unique way... More »
By Jason Gorber   
  

Sundance 2015 Review: ME AND EARL AND THE DYING GIRL, More Clever Than You Think

The title for Me and Earl and the Dying Girl is kind of appalling, a sing-song rhyming cadence that reminds of Lobo's buttery 1971 pop hit "Me And You and a Dog Named Boo". Its premise -- a young... More »
By Jason Gorber   
  

Sundance 2015 Review: ENTERTAINMENT, Seeking The Legendary Laugh To Masterful Effect

Many would say there are two distinct poles to cinema-going. There are those times when you want something warm and familiar. It's comfort food you can share with your family. Not too sweet or sour, not too heavy. And then... More »
By Ben Umstead   
  

Sundance 2015 Review: THE BRONZE Is Comedy Gold

This summer is sure to produce an onslaught of mindless trash disguised as comedy. Adam Sandler will make more cool millions, Paul Blart will potentially earn more undeserved revenue, and comedic celebrities who have shone in better films will be... More »
By Zach Gayne   
  

Slamdance 2015 Review: YOSEMITE Beautifully Captures The Fearful Majesty Of Boyhood

What is it about childhood that makes us adults so wary of who we once were? Perhaps it is that great fear of the unknown, a shadow, a whisper of adulthood that scares us as children into submission of these... More »
By Ben Umstead   
  

Rotterdam 2015 Review: AS THE GODS WILL Leaves You Gasping For More

(Putting the Fear of God into someone was never taken as literally as here...) Miike Takashi must, by now, be the most experienced director in the world in several genres, especially if those genres are vaguely defined as "gory and... More »
By Ard Vijn   
  

Slamdance 2015 Review: THEY LOOK LIKE PEOPLE, DIY Terror At Its Very Best

It begins in the dark hollows of your mind. But you can feel it in your heart. Pumping through your veins. The notion that something is wrong. That the world is wrong. That reality is not what it seems. That... More »
By Ben Umstead   
  

Sundance 2015 Review: THE OVERNIGHT Goes There

It's so incredibly tempting to reveal all the bizarre places Patrick Brice's new film, The Overnight, takes its audiences, who, if they're anything like this viewer, will likely watch the film with mouths gleefully agape.The film opens in the bedroom... More »
By Zach Gayne   
  

Slamdance 2015 Review: CONCRETE LOVE, An Intimate, Immaculate Look At A Family Of Architects

We all wish to be immortalized in some way. To be remembered for something extraordinary or meaningful. Most of us will be remembered by the way we loved, who we loved and how we loved. It is what we do... More »
By Ben Umstead   
  

Sundance 2015 Review: H. Explores The Strange Dissonance Of Coupling

There's something strange in the waters of Troy, New York. Something life-changing in the skies. Some of us can see it, some of us can hear it. Some of us will wander into the woods to find it, leaving our... More »
By Ben Umstead   
  

Sundance 2015 Review: HELLIONS, A Monstrous Misstep

Hellions, Journeyman director Bruce McDonald's first foray into horror since 2008's slow-cooker Pontypool, is a maelstorm of horror traditions and tropes, good and bad alike. While the film is never boring for its constant barrage of evocative imagery, cacophonous score... More »
By Ben Umstead   
  

Rotterdam 2015 Review: GERMAN ANGST Is Not For The Squeamish

(An Anthology with a capital A for Abuse, Antisocials and Addiction...) This year, the International Film Festival Rotterdam has dedicated a section of its programme to surrealism, and questioning reality in cinema. The horror anthology German Angst is part of... More »
By Ard Vijn   
  

Slamdance 2015 Review: BIRDS OF NEPTUNE, Of Malady And Mysticism

Cinema has a way of acting like an echo chamber. it locks us into a space where we are asked to face up to ourselves through the guise of others: Our own doubts, and fears projected on the screen, looking... More »
By Ben Umstead   
  

Sundance 2015 Review: LAST DAYS IN THE DESERT And The Closeness Of The Great Divide

Director Rodrigo García's minimalist Christ-centered parable on fathers and sons pivots the holy man as everyman and observer. It's an approach that feels of merit: one that ultimately doesn't see earth-bound humanity and a more intangible sense of spirituality as... More »
By Ben Umstead   
  

Sundance 2015 Review: THE END OF THE TOUR Beautifully Explores Our Creative Intellects

Can you call it a bromance if there is no comedic intent? If not, then what's the best way to label a burgeoning platonic relationship between two men connecting over previously unexplored similarities and interests? Maybe it's just friendship, relationship,... More »
By Ryland Aldrich   
  

Sundance 2015 Review: KURT COBAIN: MONTAGE OF HECK, The Man Behind The Music And The Mania

I'll admit upfront I'm no fan of either Kurt Cobain or the music he made with Nirvana. The band hit just at that age when I was finding out for the first time about albums like The Who's Quadropenia or... More »
By Jason Gorber   
  

Sundance 2015 Review: COP CAR, A Cult Classic Waiting To Happen

Sometimes a film's premise just sells itself. Two mischievous boys stumble upon an abandoned cop car and decide to take it for a joyride. It turns out the cop car belongs to an officer on the wrong side of the... More »
By Ryland Aldrich   
  

Rotterdam 2015 Review: In STINKING HEAVEN Everything Rotten Is Good

We all live by rules. Whether they are personal choices to undertake or those put upon us by work or family, we live by them. But sometimes those rules can destroy us.Nathan Silver's fifth feature, Stinking Heaven, takes place in... More »
By Ben Umstead   
  
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