Cannes 2014 Review: SELF MADE, Funny, Savage, And Smart

Shira Geffen made a splash in 2007 with her debut Jellyfish, a film she co-directed with her husband, writer Etgar Keret. This time Geffen is going solo, and though she may not have many credits on her resume, her confidence... More »
By Ben Croll   
  

Cannes 2014 Review: Xavier Dolan's MOMMY Delights

With Mommy, Xavier Dolan, at the age of 25, solidifies himself in the pantheon of great directors. It may sound hyperbolic, but the film features an explosive freshness, a delicate balance between humour and tragedy that's simply intoxicating. Mommy is a beautifully realized... More »
  

Cannes 2014 Review: LOST RIVER, Or Ryan Gosling's Memorably Weird Thesis Film

The answer to the question can Ryan Gosling direct is a resounding 'Sort of.' Lost River is an unwieldy mess of a film, all over the place, scatterbrained, entropic. You could even go so far as to call it an... More »
By Ben Croll   
  

Cannes 2014 Review: GIRLHOOD Challenges Expectations From Its Very First Moments

Girlhood (Bande des Filles) quite literally kicks off to a running start. In the first second in the very first shot, a rush of decked-out football players come hurtling head-on directly at the camera. Backed by thumping, synth-heavy electropop, we follow... More »
By Ben Croll   
  

Cannes 2014 Review: In THE WONDERS, The Stings of Adolescence

The Wonders (Le meraviglie) is a poetic realist portrait of painful adolescence. Director Alice Rohrwacher tells a slight coming of age tale infused with melancholy, hardship but not without a sense of beauty. Gone is the Italy of opulence and... More »
By Ben Croll   
  

Cannes 2014 Review: WHEN ANIMALS DREAM, Stark And Haunting Arthouse Horror

One of the reasons I love genre film is that is gives opportunity to explore the human condition with strange metaphors, allowing the spectator perhaps a deeper and richer understanding than when trying to represent something directly. Such is the... More »
  

Fantaspoa 2014 Review: CHAMELEON (BUQÄLÄMUN), A Minimalist Azerbaijani Drama

I never expected to watch a film like Chameleon (Buqälämun) at Fantaspoa. This is not fantasy cinema at all but rather a minimalist drama and the very first Azerbaijani film I've ever seen. It is about people who are only... More »
  

Cannes 2014 Review: THE SALVATION Is Salivatingly Good

It's no longer really much of a bold move to call Mads Mikkelsen one of the finest actors working in the world today. A consummate thespian, his performances are always intoxicating to watch, be they in silly pulp-populism when playing... More »
  

NYIFF 2014 Review: In SNIFFER A Man Finds Himself In The Dirty Laundry Of Others

Most people show a lot of who they are through their interactions with others. Sure, there's the person we think we are, or the person that we imagine ourselves to be on our best days, but it's really how we... More »
By J Hurtado   
  

Cannes 2014 Review: Cronenberg's MAPS TO THE STARS Gets Lost Along The Way

This doesn't bode well.For the second film in a row, David Cronenberg has made a stinker. Yes, there were some bits in Cosmopolis that didn't suck, but it was hardly vintage DC. As I mentioned in my review for that... More »
  

Cannes 2014 Review: WINTER SLEEP Asks The Tough Questions

Nuri Bilge Ceylan trained as a photographer and has mined the expressive terrain of his native Anatolia to great effect throughout his career. As a director, he has used the landscape not simply as a backdrop, but often as an... More »
By Ben Croll   
  

Cannes 2014 Review: SAINT LAURENT is Stylish, Fun and Empty

For the second time this year, the gilded life of fashion designer Yves Saint Laurent is getting the big screen treatment. The first was the paint by the numbers biopic Yves Saint Laurent, a gentle, actor's film made with... More »
By Ben Croll   
  

Cannes 2014 Review: A HARD DAY Is Easy-To-Love Genre Cinema

If you feel that tough genre fare in Korea has been spinning its wheels of late, you're not alone. While generally well made, the élan of yesteryear's hardboiled Korean thrillers has recently been replaced by a growing sense of familiarity... More »
  

Cannes 2014 Review: IT FOLLOWS, A Somber, Effective And Assured Thriller

With a terrific cold opening, a somber and effective mood, strong performances and assured direction, there's lots to love about It Follows. It's a kind of pure thriller, with a few shocks mixed into what's a remarkably consistent vision that... More »
  

Fantaspoa 2014 Review: RABBIT WOMAN (MUJER CONEJO) Is Part Thriller, Part B-Movie, And Always Pretty Damn Good

Ana Yang is the name of the lead character in Rabbit Woman (Mujer Conejo), a live-action film from Argentina that features some animated sequences as well. The name of its director is Veronica Chen, so we can indeed deduce the... More »
  

Cannes 2014 Review: A GIRL AT MY DOOR Is Korean Cinema At Its Finest

Screening in the Cannes Film Festival's Un Certain Regard section this year is A Girl at My Door, a film that is so well-wrought that one can't help but be swept up in its artistry, which effortlessly plunges us into... More »
  

Fantaspoa 2014 Review: DEVIL IN MY RIDE, An Amusing Road/Buddy/Exorcism Movie

If The Battery approached the zombie movie with a very low budget but lots of fun and ingenuity, Devil in My Ride tries to do the same with the exorcism film. Gary Michael Schultz's first feature-length effort centers on more... More »
  

Cannes 2014 Review: MR. TURNER Paints A Blurry Picture

Mike Leigh's latest offering lustfully tackles the life, work and loves of Joseph Mallord William Turner, the legendary 19th Century British artist whose landscape paintings are revered around the world. It's a carefully constructed film, part performance piece and part... More »
  

Fantaspoa 2014 Review: DARKNESS BY DAY (EL DÍA TRAJO LA OSCURIDAD), Solid Atmospheric Horror From Argentina

The countryside of Argentina is the setting for Martín Desalvo's Darkness by Day (El Día Trajo la Oscuridad), a little horror film that rests almost entirely on its two main actresses, Mora Recalde and Romina Paula. They play Virginia and Anabel,... More »
  

Cannes 2014 Review: GRACE OF MONACO Is A Risible Mess

It gives me no pleasure to say that the opening film of this year's Cannes International Film Festival had members of the press mocking it during its running time. At the second screening, when the credits rolled and the lights were... More »
  
  Next »
Page 3 of 139