LA Film Fest 2015 Review: TOO LATE A Confident, Stylish Debut

There is a classic Hollywood feel that prevails throughout Dennis Hauck's debut feature Too Late. Namely this is due to the fact that it's shot on good old 35MM film -- a feat almost never attempted in today's world of... More »
By Ryland Aldrich   
  

LA Film Fest Review: I AM THALENTE, Skating On Passion, Finding Purpose

We all know the sound. That clack-scrape-whoosh of a skateboard on the sidewalk. For many of us it is as close to the sport as we get. When we hear that sound some of us move out of the way... More »
By Ben Umstead   
  

Sydney 2015 Review: Under The WIDE OPEN SKY, Children Pursue Their Love Of Music

Every autumn, Australian conductor Michelle Leonard drives 4,000 kms across the outback of New South Wales in order to audition over 2,000 children for her Moorambilla Voices choir. Wide Open Sky is a documentary by director Lisa Nicol that chronicles... More »
By Hugo Ozman   
  

Sydney 2015 Review: ON THE RIM OF THE SKY, The New Challenges The Old

In the Chinese province of Sichuan, one of the mountains is so high that it's literally "on the rim of the sky"; and in that mountain, there is an isolated village called Gulu. The villagers' children received their education at... More »
By Hugo Ozman   
  

Sydney 2015 Review: Witness Undying Love In MY LOVE, DON'T CROSS THAT RIVER

He was 98. She was 89. They were married for 76 years, had 12 children, six of whom died during their childhood. That is the story of Jo Byeong-man and Kang Gye Yeol, as told in director Jin Mo-young's My... More »
By Hugo Ozman   
  

Review: SPY, McCarthy Shines In Uproarious Espionage Send Up

Melissa McCarthy and Paul Feig team up once again for a wickedly funny send-up of the James Bond series with charm and wit in ample supply. Jude Law and Jason Statham add to the fun as, respectively, a suave, painfully... More »
By Pierce Conran   
  

Fantaspoa 2015 Review: Sam's POSSESSED Presents An Exorcism With Clay And A Fragmented Script

Possessed (aka Pos eso) is a peculiar Spanish animation which recalls the claymation classics of Wallace and Gromit for the design of its characters - after all the director Sam worked as an animator for Aardman - but not due to... More »
  

Cannes 2015 Review: Kurzel's MACBETH Is Shakespeare For The GAME OF THRONES Crowd

Justin Kurzel's Snowtown was a remarkable film, a brash feature debut that signaled the emergence of a unique talent joining a slew of them coming out of the Australian independent scene. Following up a powerful true crime story with... More »
By Jason Gorber   
  

Cannes 2015 Review: RAMS, An Exceptional Tale Of Exceptional Stubbornness

Oh, Iceland. With your otherworldly landscapes and ability to extract cool, dry drama like you're farming permafrost, your cinema is like your vistas -  inspiring and intimidating. Add to that some of the special spice that has made the... More »
By Jason Gorber   
  

Jeonju 2015 Review: UNWANTED BROTHER Puts Onus On Characters In Familiar Setting

After nearly a decade away from the director's chair, Shim Kwang-jin returns with an unhurried take on a common tale of a lowlife manipulating those around him to pay a debt. Propped up by a few fresh spins on the... More »
By Pierce Conran   
  

Cannes 2015 Review: COSMODRAMA, A French Metaphysical Star Trek

Science-fiction has never taken particularly strong roots in French cinema despite being born in hands of a certain Monsieur Meliés on French soil. And Gallic helmer Phillipe Fernandez is not likely to alter the status quo with his sophomore feature... More »
By Martin Kudlac   
  

Cannes 2015 Review: DHEEPAN, Powerful With Moments Of Sheer Bravado

It begins with chaos: shouting voices calling out in alarm, a cacophony of sound, and a flourish of a camera moving through a thick crowd. It ends with similar sounds and a similar shot, one far less sinister and... More »
By Jason Gorber   
  

Cannes 2015 Review: KRISHA Introduces An Exciting New Director In The Home Movie From Hell

Jean-Luc Godard once said that all you need for a movie is a gun and a girl. With Krisha, a rich psychological thriller about family secrets, mental-breakdown and addiction, director Trey Edward Shults proves that one can make compelling... More »
By Ben Croll   
  

Cannes 2015 Review: Noé's LOVE Is Both Sticky and Sweet

Gaspar Noé. For some even the name sends shudders. Thoughts of the visually bombastic Enter the Void cause a kind of PTSD, and his Irreversable still haunts some 13 years on. The Argentine-born, France-based director occupies a unique and... More »
By Jason Gorber   
  

Cannes 2015 Review: Wrestling With THE ASSASSIN's Beautiful Nothing

The first thing that strikes you in The Assassin is the quiet. Hou Hsiao-Hsien's ruminative tone-poem, about a Tang Dynasty sell-sword tasked with killing kin, is a remarkably hushed affair. Be it dialogue, sound-effects or music, at no point does... More »
By Ben Croll   
  

Cannes 2015 Review: MOUNTAINS MAY DEPART Displays Creative Artistry But Flawed Vision

Director Jia Zhang-ke is a big fan of segmented narratives. His last film, A Touch of Sin, was an anthology of sorts tackling different stories surrounding the larger topic of the the modernization of Chinese culture. In his latest film,... More »
By Ryland Aldrich   
  

Cannes 2015 Review: MADONNA, A Riveting Tale Of Sorrow And Redemption

Following her accomplished sophomore film, the absorbing high school revenge tale Pluto (2012), Shin Su-won returns in glorious fashion with the searing Madonna. Meticulous, layered and yet seemingly effortless, this rewarding tale of mingled sorrow and redemption should go a... More »
By Pierce Conran   
  

Cannes 2015 Review: MEDITERRANEA, A Humanist Masterclass On Society's Forgotten Few

Mediterranea is a powerful neorealist punch, so loaded with prescience, so relevant to our here and now, that it practically explodes off the screen. At one point in the film, a middle class family sits down to dinner and the father... More »
By Ben Croll   
  

Cannes 2015 Review: SICARIO, A Beautifully Executed Hitman Film

In white writing on a black screen we're taught that Sicario was the name given to Hebrew Zealots (the name means "dagger men") who fought to expel the Romans in Judea. Now the name is used in Mexico to refer... More »
By Jason Gorber   
  

Cannes 2015 Review: OFFICE Works Up An Intriguing Salaryman Chiller

Life is hard for the average Korean salaryman, and sometimes that engenders a need to blow off a little steam. For many that involves drinking to excess, but for others it can spill over into the homestead. New Korean horror-thriller... More »
By Pierce Conran   
  
  Next »
Page 3 of 158