PIFAN 2012 Full Line-Up Announced!

The 16th Puchon International Fantastic Film Festival (PiFan) has just released its full line-up, and it comes as no surprise to see that it is to be another fun-packed year of thrilling entertainment and some of the world's very best... More »
By James Marsh   
  

PiFan 2012 to Hold Myung Films Retrospective

The lineup for next month's 16th Puchon International Fantastic Film Festival will not be revealed for another week but we now have our first indication of some of the films that will screened at the event. PiFan will be holding... More »
By Pierce Conran   
  

16th Puchon International Fantastic Film Festival (PiFan) Launches a Teaser Trailer

Things are starting to heat up for the 16th Puchon International Fantastic Film Festival (which will be taking place July 19-29) now that a brand new teaser trailer has been released. It's a well-designed and whimsical little montage but does... More »
By Pierce Conran   
  

New Trailer for Korean Western BLOODY FIGHT IN IRON-ROCK VALLEY Squares Up

The Korean indie western Bloody Fight in Iron-Rock Valley, which won awards for Best Korean Indie Feature and Best Asian Genre Film at last year's Puchon International Fantastic Film Festival, is getting ready to debut in Korean theaters on July... More »
By Pierce Conran   
  

PiFan 2012 Showcasing Classic Anime SPACE BATTLESHIP YAMATO Film Series

With just over a month until the 16th Puchon International Fantastic Film Festival (PiFan) kicks off in South Korea, we get the first news of what to expect from this year's film programme. Space Battleship Yamato, known to audiences in... More »
By James Marsh   
  

PiFan's Network of Asian Fantastic Films Selects Indonesia for Spotlight

Well this is a pretty neat and interesting development, the Puchon International Fantastic Film Festival's (PiFan) Network of Asian Fantastic Films (NAFF) has selected Indonesia as for its spotlight this year. Following Taiwan, China, Singapore and Japan, this is a... More »
By Pierce Conran   
  

Review: ALWAYS

Apparently someone told Song Il-Gon (Flower Island, A Feather, Magicians) that exquisite lo-fi indie character studies are all very well, but they don't pay the bills. Try a melodrama, they must have said. Try something so syrupy it'll have Koreans... More »
By Matthew Lee   
  

Review: HINDSIGHT

There's a terrific story lost somewhere inside Lee Hyun-Seung's Hindsight. That's part of the problem, really - there's enough different ideas for an epic, even a miniseries. An amiable jopok enforcer trying to go straight. A hotly contested last will... More »
By Matthew Lee   
  

UK DVD Review: PARKED

If you're going to make a movie that relies heavily on symbolism, you need either a particularly light touch, or to be bold enough about it people get swept away by your vision, no matter how daft it might come... More »
By Matthew Lee   
  

Blu-ray Review: TYRANNOSAUR

The opening sequence in Paddy Considine's brilliant Tyrannosaur is a model of cinematic efficiency so concise they ought to teach it in film school. Revisiting the events of Considine's original short Dog Altogether and turning them into a full-blown feature,... More »
By Matthew Lee   
  

LIFF 2011: BREATHING review

A young man desperately in need of a purpose ends up taking a job dealing with the recently deceased, collecting the dead and making them look the best they can for their final journey - in the course of which... More »
By Matthew Lee   
  

ETRANGE 2011: DEAD BALL review

So is Yudai Yamaguchi's micro-budget horror-comedy Dead Ball a good film? The temptation is to say technically no... but you have to remember most people don't make the effort to watch a film where physical FX maestro Yoshihiro Nishimura is... More »
By Matthew Lee   
  

PIFAN 2011: RABIES Review

The first thing to clarify regarding RABIES, the debut feature film from Israeli writer-directors Aharon Keshales and Navot Papushado, is that this is not a viral outbreak film, nor in any way related to that particularly nasty contagion forever associated... More »
By James Marsh   
  

PIFAN 2011: BLOODY FIGHT IN IRON-ROCK VALLEY Review

As its title might suggest, BLOODY FIGHT IN IRON-ROCK VALLEY is a stripped-down, low budget Korean revenge thriller that resembles a sand blown spaghetti western more closely than the ultra stylish heroic bloodshed epics for which the country has become... More »
By James Marsh   
  

PIFAN 2011: BLOODY FIGHT IN IRON-ROCK VALLEY and RUBBER take top awards

By James Marsh   
  

An Interview With YAKUZA WEAPON Star And Co-director, Tak Sakaguchi

[And as promised, Diva Velez's interview with YAKUZA WEAPON star/co-writer/co-director, Tak Sakaguchi, which is being cross-published at The Diva Review.]  The Lady Miz Diva:  Welcome back to the New York Asian Film Festival and Japan Cuts. You're returning with the... More »
By Diva Vélez   
  

An Interview with YAKUZA WEAPON Co-Director, Yudai Yamaguchi

[Yakuza Weapon, the latest from Versus writer and Battlefield Baseball director Yudai Yamaguchi and Sushi Typhoon madman Tak Sakaguchi screened two weekends back as a part of Japan Cuts and NYAFF and just last night at Fantasia. We now present... More »
By Diva Vélez   
  

PIFAN 2011: UNDERWATER LOVE - A PINK MUSICAL Review

The only reason Imaoka Shinji's latest pinku film, UNDERWATER LOVE: A PINK MUSICAL, is on the radars of international filmgoers at all is because of the involvement of praised cinematographer Chris Doyle. While the result of this bizarre attention-grabbing... More »
By James Marsh   
  

PIFAN 2011: GANTZ: PERFECT ANSWER Review

Both films recently adapted from the mammoth manga series are playing Pifan, so here's my earlier review of part two. Hot on the heels of the first film, GANTZ: PERFECT ANSWER arrives within three months of its predecessor, boasting the... More »
By James Marsh   
  

PIFAN 2011: BULLHEAD Review

With his first feature, Michael Roskam has delivered an assured and attention-grabbing debut that sits comfortably alongside Matteo Garrone's GOMORRAH and Daniel Espinosa's SNABBA CASH as one of the most original crime films in recent memory.  Roskam exposes the... More »
By James Marsh   
  
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