SENSORIA: 108 Media Acquires Worldwide Rights For Swedish Chiller

ScreenDaily is reporting that the worldwide rights for Christian Hallman's Swedish chiller Sensoria have been acquired by Toronto-based outfit 108 Media. They are introducing the film to buyers at the Market in Cannes. After losing almost everything she cares for in... More »
By Andrew Mack   
  

Cannes 2015 Review: MOUNTAINS MAY DEPART Displays Creative Artistry But Flawed Vision

Director Jia Zhang-ke is a big fan of segmented narratives. His last film, A Touch of Sin, was an anthology of sorts tackling different stories surrounding the larger topic of the the modernization of Chinese culture. In his latest film,... More »
By Ryland Aldrich   
  

Cannes 2015 Market Report: THE MONK WHO FUCKED A LIMOUSINE AKA INDIA'S DAUGHTER, The Hideous Nature Of Bad Taste

The Cannes Film Market, or Marche du film, can be among the most vibrant and exciting part of the iconic festival's ancillary events. This is where filmmakers go to sell their wares, films are bought and sold for different territories,... More »
By J Hurtado   
  

Cannes 2015 Review: MADONNA, A Riveting Tale Of Sorrow And Redemption

Following her accomplished sophomore film, the absorbing high school revenge tale Pluto (2012), Shin Su-won returns in glorious fashion with the searing Madonna. Meticulous, layered and yet seemingly effortless, this rewarding tale of mingled sorrow and redemption should go a... More »
By Pierce Conran   
  

Cannes 2015 Review: MEDITERRANEA, A Humanist Masterclass On Society's Forgotten Few

Mediterranea is a powerful neorealist punch, so loaded with prescience, so relevant to our here and now, that it practically explodes off the screen. At one point in the film, a middle class family sits down to dinner and the father... More »
By Ben Croll   
  

Cannes 2015 Review: SICARIO, A Beautifully Executed Hitman Film

In white writing on a black screen we're taught that Sicario was the name given to Hebrew Zealots (the name means "dagger men") who fought to expel the Romans in Judea. Now the name is used in Mexico to refer... More »
By Jason Gorber   
  

Cannes 2015 Review: OFFICE Works Up An Intriguing Salaryman Chiller

Life is hard for the average Korean salaryman, and sometimes that engenders a need to blow off a little steam. For many that involves drinking to excess, but for others it can spill over into the homestead. New Korean horror-thriller... More »
By Pierce Conran   
  

Cannes 2015 Review: INSIDE OUT, A New Pixar Classic

It's no small coincidence that as Pixar enters its cinematic adolescence, it showcases a film that deals with the challenges of growing up. After changing the world of animation with Toy Story, they rode a meteoric rise, crafting some of... More »
By Jason Gorber   
  

Cannes 2015 Review: MY GOLDEN DAYS, Nicotine-Fuelled, Incredibly French and Incredibly Good

Those allergic to French film clichés should consider running in terror from My Golden Days. The hits are all there in director Arnaud Desplechin's latest, a pseudo-prequel to his even more comically cliché-titled My Sex Life... or How I Got... More »
By Ben Croll   
  

Cannes 2015 Review: AMY Beautifully Celebrates A Wonderful And Tragic Life

Every so often a film will come along that redefines an entire genre of cinema. A film that excels so completely the result is any similar film gets compared to it for years to come. In 2010, Asif Kapadia did... More »
By Ryland Aldrich   
  

Cannes 2015 Review: CAROL, Tremendously Accomplished, Yet Cold

Todd Haynes' Carol is an objectively beautiful film. It is exquisitely acted, hauntingly shot and meticulously well-designed. And it left me surprisingly cold. The same-sex melodrama presents an interesting case where form and content match up a little too well.... More »
By Ben Croll   
  

Cannes 2015 Review: GREEN ROOM Doesn't Pull A Single Punch

Some gigs really aren't worth taking. That's a maxim that the members of broke touring punk band Ain't Rights probably haven't heard of and certainly aren't going to adhere to when they get offered $350 to play a backwater skinhead... More »
By Ryland Aldrich   
  

Cannes 2015 Review: SEA OF TREES, Glimpses Of Beauty Within A Poisoned Forest

It's never a good thing when a film gets booed, but it happens more frequently at Cannes than anywhere in my experience. Often this booing takes on a kind of group think, with headlines all over the world declaring the... More »
By Jason Gorber   
  

Cannes 2015 Review: IRRATIONAL MAN, Woody Allen's Maudlin, Disappointing Trifle

Let's make this perfectly clear - Woody Allen, director, is one of the most unique and prolific talents in the history of cinema. Every year we get a film on schedule, often a chatty and intellectually rich ensemble piece... More »
By Jason Gorber   
  

Cannes 2015 Review: COIN LOCKER GIRL Offers New Perspectives On Standard Thrills

Against a parking lot bursting with saturated colors, a person lies on the ground, at the mercy of another standing above them who wields a sashimi knife still dripping red from its last kill. Dark, bloody and stylish, this could... More »
By Pierce Conran   
  

GREEN ROOM: Watch The Exclusive First Clip From BLUE RUIN Director's Next

How do you follow a film that many have acclaimed as a masterpiece? Well, if you're Blue Ruin director Jeremy Saulnier you gun to do it with another one. Cue up 2015 Cannes selection Green Room, Saulnier's third feature soon... More »
By Todd Brown   
  

Cannes 2015 Review: THE LOBSTER Starts Strong But Loses Its Way

Boy, I wanted to love this movie. Really, I did. I mean, the first shot of the film is a delight - a woman is passively driving in a car. She gets out, windshield wipers still flailing away, and... More »
By Jason Gorber   
  

CEMETERY OF SPLENDOUR: Check The Exclusive Trailer For Apichatpong Weerasethakul's Latest

Previous Palm d'Or winner Apichatpong Weerasethakul (Uncle Boonmee Who Can Recall His Past Lives) returns to Cannes with his latest effort Cemetery Of Splendour and Twitch is proud to present the world premiere of the latest film from the Thai... More »
By Todd Brown   
  

Cannes 2015 News: George Miller on MAD MAX - "I'd See It In 3D"

During the press conference for (the sublime) Mad Max here at Cannes 2015, TwitchFilm asked George Miller directly about his preference for which version of the film he preferred - stereoscopic, or 2D.Due to comments before the film's release... More »
By Jason Gorber   
  

Cannes 2015 Review: THE SHAMELESS Delivers Hardboiled Melodrama With Top Drawer Performances

"Learn the rules like a pro, so you can break them like an artist." -Pablo Picasso Today's Korea, whether looking at its entertainment, fashion or culinary scenes, is a society awash with fusion. Nowhere is this more true than in... More »
By Pierce Conran   
  
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