Busan 2014 Review: FACTORY COMPLEX, An Artful Look At Korea's Beleaguered Workforce

It's no secret that workers are subjected to punishing conditions and constant humiliation in Korea, a country that has made the news recently for having the longest work hours and yet the least productivity among all OECD nations. New documentary... More »
  

Sitges 2014: I ORIGINS, THE BABADOOK, CUB, And Many More Take Home Festival Awards

Mike Cahill's sci-fi drama I Origins picked up the award for best feature film at Sitges Festival Internacional de Cinema Fantastic de Catalunya this year. Many other Twitch favorites took home awards or received acclaim, including What We Do In... More »
  

Vancouver 2014 Review: EXIT Feels Pretty But Shallow

Chienn Hsiang's second feature, Exit, is lovely to look at, and pleasant enough to watch, but ultimately feels inconsequential. Chen Shiang-chyi stars as Lingzi, a childlike middle-aged woman finds herself alone for a few weeks while her teenaged daughter visits... More »
  

Busan 2014 Review: SUNRISE Plunges Us Into Noirish And Riveting Tale Of Child Abduction

Indian cinema provides another jolt of electricity to the thriller genre with Sunrise, a tight, punchy neo-noir about child trafficking in Mumbai. Taking place at night, frequently under heavy rain and driven forward by a pulsating minimalist electro score, the... More »
  

Morelia 2014: Final Wave Of Films Includes BIRDMAN, GOODBYE TO LANGUAGE, THE GREEN INFERNO, And Much More

The Morelia International Film Festival announced the final details for its 12th edition, which kicks off next Friday (October 17). It is overall a really impressive lineup and - as usual - Morelia will be premiering in Mexico some of... More »
  

Camera Japan 2014 Review: FORMA Demands Attention

(This review won't scratch the surface, and that is fully intentional...) At the start of Forma, you see one of its protagonists stick a pen in a cardboard box, making a small hole. She then puts the box on her... More »
By Ard Vijn   
  

New York 2014 Review: THE 50 YEAR ARGUMENT Tells A Fiery Tale Of Words

Where to start reviewing a film like The 50 Year Argument? It's a question of approach that surely plagued Martin Scorsese when founding editor Robert B. Silvers first pitched him to tackle the subject of The New York Review of... More »
By Zach Gayne   
  

Feratum 2014 Dispatch, Days 3 And 4: ABCs OF DEATH 2 And A Porn Movie To Close The Fest

I remained focused on the Mexican selection during the last couple of days of Feratum 2014, to the point that I ended watching each and every national, feature-length film that the festival presented. Unfortunately, the trend of the first two... More »
  

Vancouver 2014 Review: WELCOME TO ME Stokes The Fires Of Disability Discourse

Kristen Wiig has been enjoying a lengthy run of success since leaving Saturday Night Live in 2012. Her humor is punctuated by awkward, uncomfortable stares, or lines delivered with more weight -- loneliness, sadness, regret -- than they seem to... More »
  

Busan 2014 Review: LIVE TV Showcases Misogyny And Bad Filmmaking

Found footage horror and digital age social themes combine to disastrous effect in the lamentable and stunningly offensive Live TV, a midnight film at Busan that'll make you wish you'd turned in early. A pair of chauvinistic jackasses record their... More »
  

Sitges 2014 Review: MAGICAL GIRL, Dark, Twisted Magic

Carlos Vermut's second feature Magical Girl recently won the Golden Shell at the a Sebastian Film Festival, as well as best director award, and deservedly so. Fun and disturbing, strange and yet somehow entirely plausible, the film tells the story of... More »
  

Los Cabos 2014: Xavier Dolan To Visit Mexico And Present MOMMY

Canada's enfant terrible Xavier Dolan is set to visit a Mexican film festival for the first time! Los Cabos is the festival that took the cake as it will host the Latin American premiere of Dolan's latest picture, Mommy, with the... More »
  

Busan 2014 Review: RED AMNESIA Is Haunted By Forgotten Ghosts

Wang Xiaoshuai (Beijing Bicycle) returns to cap off his so-called legacy trilogy with a film that is one part thriller and one part melodrama. It does not always work, but when it does, it is largely thanks to the incredible... More »
  

Busan 2014 Review: TIMING Mixes Overstuffed Narrative And Plain Animation

Popular webtoonist Kang Full has become a big name in Korean film over the last few years following the success of features based on his work, such as BA:BO (2008), Late Blossom (2011), Neighbors (2012), and 26 Years (2012). At... More »
  

New York 2014 Review: Exorcising The Past in HORSE MONEY

Horse Money is astonishingly beautiful in its visual poetry! Pedro Costa, who wanted to capture the life in Lisbon's ghetto area called Fontainhas in the late 90s, made a beautiful film called Bones (Ossos). During the shoot, he saw much... More »
  

New York 2014: ONCE UPON A TIME IN AMERICA And The Importance of Preservation

Post-production wiz, Walter Murch, in his book, In The Blink of An Eye, devotes a chapter to what he refers to as a film's DNA. He essentially says that a film can only be what it was meant to be,... More »
By Zach Gayne   
  

Busan 2014 Review: SOCIALPHOBIA Effectively Blends Social Agenda And Genre Tropes

The Korean Academy of Film Arts (KAFA) returns to Busan with Socialphobia, a new work that is equal parts social drama and murder mystery. Examining the disruptive effect of communication in the digital era within a society where the slightest... More »
  

Busan 2014 Review: PARTNERS IN CRIME, A Subversive, Stylish Murder Mystery

Partners In Crime is the latest film from Taiwanese director Jung-chi Chang (Touch of the Light), and, like his previous features, he again taps into a superbly realized gen Y narrative. The film is directed with complete confidence. Right from... More »
  

Busan 2014 Review: DOES CUCKOO CRY AT NIGHT, A Simple But Well Told Parable

Playing alongside the 50-odd new Korean films playing at Busan this year is a retrospective of the work of Jung Jin-woo, a prolific director and producer active from the 1960s to the 80s. Known as a purveyor of social melodramas... More »
  

New York 2014 Review: In MISUNDERSTOOD, A Little Girl Contends With A Family From Hell

Leo Tolstoy famously opened his classic novel Anna Karenina with this statement: "Happy families are all alike. But all unhappy families are unhappy in their own way." You'd be hard pressed to find a family much unhappier than the one... More »
  
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