Busan 2014 Review: SOCIALPHOBIA Effectively Blends Social Agenda And Genre Tropes

The Korean Academy of Film Arts (KAFA) returns to Busan with Socialphobia, a new work that is equal parts social drama and murder mystery. Examining the disruptive effect of communication in the digital era within a society where the slightest... More »
  

Busan 2014 Review: PARTNERS IN CRIME, A Subversive, Stylish Murder Mystery

Partners In Crime is the latest film from Taiwanese director Jung-chi Chang (Touch of the Light), and, like his previous features, he again taps into a superbly realized gen Y narrative. The film is directed with complete confidence. Right from... More »
  

Busan 2014 Review: DOES CUCKOO CRY AT NIGHT, A Simple But Well Told Parable

Playing alongside the 50-odd new Korean films playing at Busan this year is a retrospective of the work of Jung Jin-woo, a prolific director and producer active from the 1960s to the 80s. Known as a purveyor of social melodramas... More »
  

New York 2014 Review: In MISUNDERSTOOD, A Little Girl Contends With A Family From Hell

Leo Tolstoy famously opened his classic novel Anna Karenina with this statement: "Happy families are all alike. But all unhappy families are unhappy in their own way." You'd be hard pressed to find a family much unhappier than the one... More »
  

New York 2014 Review: THE PRINCESS OF FRANCE, Matias Pineiro's Beguiling Riff On Shakespeare

The Princess of France is Argentine director Matías Piñeiro's third entry in his series of Shakespeare-inspired films, which he calls his "Shakespearead." The first two of these were his 43-minute short Rosalinda (2011), inspired by "As You Like It," and... More »
  

Sitges 2014 Review: [REC4] Is Still Fun But Overly Familar

It's certainly been a while, but the Sitges Film Festival and its audience hasn't forgotten about REC and the impression it left in its 2007 edition. The film, co-directed by Paco Plaza and Jaume Balagueró won the best director and... More »
  

Feratum 2014 Dispatch: Tal Zimmerman And Nicolas Kleiman Talk At The WHY HORROR? World Premiere

Feratum hosted the world premiere of the documentary Why Horror? on Friday, October 3. Argentinean co-director Nicolas Kleiman and Canadian star Tal Zimmerman attended the screening and witnessed the very warm reception their film got with the Mexican audience. They... More »
  

Feratum 2014 Dispatch: Film Awards Announced

The closing/awards ceremony of Feratum 2014 took place on Saturday, October 4 at the Cenobio Paniagua theater. Both Juan Mora Catlett and Alfonso Arau were honored during the event, before one member of the jury took the stage to announce... More »
  

New York 2014 Review: It's The Trip, Not The Destination, In INHERENT VICE

P. T. Anderson faithfully adapts Thomas Pynchon's most accessible novel, the zaniest surf noir, Inherent Vice. It is also the first time he's worked with a large ensemble cast since Magnolia. The result is often hilarious, a laborious snapshot of... More »
  

Vancouver 2014 Review: THE GOLDEN ERA Hits All Of Its Marks

The Golden Era follows the (tragically short) life of one of China's most celebrated female writers, Xiao Hong (portrayed by Tang Wei), in typically lavish period-biopic fashion. On an aesthetic level, the film is gorgeously realized by director Ann Hui,... More »
  

Busan 2014 Review: WILD FLOWERS Wilts After A Bristling Start

The lives of aimless youths at the bottom of the social ladder are the focus of Wild Flowers, a bleak look into teenage destitution in the streets and back alleys of Seoul. Uncompromising in its focus and brisk in its... More »
  

Feratum 2014 Dispatch, Day 1 & 2: WHY HORROR?, Mexican Selection, And More

For the second year in a row, I'm in Tlalpujahua, Michoacán covering the Feratum Film Fest for Twitch. Thursday, October 2 was the first day of the third edition of this Mexican genre festival and it kicked off for... More »
  

Hey Australia! Get Ready For The Best Ever Japanese Film Festival In Its 18-Year History

This year, Australia's Japanese Film Festival is not only massive in terms of number of screening locations (which include Adelaide, Auckland, Brisbane, Broome, Cairns, Canberra, Christchurch, Darwin, Hobart, Melbourne, Perth, Sydney, Townsville and Wellington), but also the quantity and quality... More »
By Hugo Ozman   
  

Busan 2014 Review: MARGARITA, WITH A STRAW, A Top Shelf Crowd Pleaser

Premiering this year at the Toronto International Film Festival, Margarita, With A Straw received standing ovations at each of its three sold-out screenings, and it is not hard to understand why. Dismissing any cliché or heavy handed sentiments, director Shonali Bose... More »
  

'The Treasure Is Already On Your Back': THE WONDERS Director Alice Rohrwacher Interview

Alice Rohrwacher's The Wonders (Le Meraviglie), a dramedy about a rural Italian agrarian community, took home the Grand Prix at this years Cannes Film Fest. It's an amazing feat considering it's only the second feature of a 33 year old... More »
  

Busan 2014 Review: A MATTER OF INTERPRETATION Is David Lynch Meets Hong Sangsoo

Following his terrific debut Romance Joe (2011), Lee Kwang-kuk is back in Busan with A Matter of Interpretation, a breathless play on dream logic with smart plotting and a great script that proves he's no fluke, and then some. Frustrated... More »
  

Busan 2014 Review: END OF WINTER Boasts Strong Cast And Subtle Mise-en-scene

Dankook University scores a New Currents competition slot at the Busan International Film Festival for the second year running with End of Winter, a controlled family drama taking place in the dead of winter. Eschewing histrionics in favour of a... More »
  

Busan 2014 Review: HAN RIVER Ponders Urban Malaise in Contemporary Korea

With black and white lensing, cheerful yet destitute protagonists and the absence of a clear narrative, the philosophical vagabond film Han River, benefits from a style and focus that sets it apart from the bulk of recent Korean indie fare,... More »
  

Busan 2014 Review: DAUGHTER Explores The Ills Of Modern Korean Parenting

Following a pair of indulgent films that awkwardly straddled the balance between fantasy and reality, the multi-hyphenate Ku Hye-sun, a well known actress, singer and artist as well as director, returns with Daughter, her most mature work to date. An... More »
  

Busan 2014 Review: WE WILL BE OK Hits Its Stride Too Late In The Game

Writers are told to write about what they know, so it stands to reason that the same rule should apply to filmmakers. As a result, many films take place within the film world and in the Korean industry this proves... More »
  
  Next »
Page 4 of 306