Panorama Europe 2015 Offers Some Of The Best Recent European Films

Panorama Europe 2015, the seventh edition of the festival (formerly known as Disappearing Act) which brings some to the best recent examples of contemporary European filmmaking to New York, screens from May 29 through June 14 at the Museum of... More »
  

An Interview With All Directors Of GERMAN ANGST! Marschall! Kosakowski! Buttgereit! Part 1!

The Berlin-based horror anthology German Angst was among the many world premieres this year at the International Film Festival Rotterdam, and all three of its directors were attending in person. The day after, I was lucky enough to get to... More »
By Ard Vijn   
  

Cannes 2015 Review: Kurzel's MACBETH Is Shakespeare For The GAME OF THRONES Crowd

Justin Kurzel's Snowtown was a remarkable film, a brash feature debut that signaled the emergence of a unique talent joining a slew of them coming out of the Australian independent scene. Following up a powerful true crime story with... More »
By Jason Gorber   
  

Preview: Mammoth Lakes Film Festival Debuts With Stellar Indie Lineup

There are two things when one considers going to a film festival, or dare to put one on. The first is: location, location, location. The second (or perhaps it's the first): Movies, of course. Plenty of quality, eclectic flicks that... More »
By Ben Umstead   
  

Cannes 2015 Review: RAMS, An Exceptional Tale Of Exceptional Stubbornness

Oh, Iceland. With your otherworldly landscapes and ability to extract cool, dry drama like you're farming permafrost, your cinema is like your vistas -  inspiring and intimidating. Add to that some of the special spice that has made the... More »
By Jason Gorber   
  

Jeonju 2015 Review: UNWANTED BROTHER Puts Onus On Characters In Familiar Setting

After nearly a decade away from the director's chair, Shim Kwang-jin returns with an unhurried take on a common tale of a lowlife manipulating those around him to pay a debt. Propped up by a few fresh spins on the... More »
By Pierce Conran   
  

Fantaspoa 2015 Interview: REDEEMER Director Ernesto Díaz Espinoza

Redeemer marks the fourth collaboration between director Ernesto Díaz Espinoza and martial artist Marko Zaror, and is considered by the director himself as his most serious movie, since it accompanies its carefully choreographed and violent as hell fights with a... More »
  

Fantaspoa 2015 Dispatch: Frizzi 2 Fulci Live Concert

Fantaspoa's homage to Fabio Frizzi, the main composer for the legendary Italian horror filmmaker Lucio Fulci, came to an end on Sunday evening (May 24) with an intimate yet extraordinary concert by Frizzi himself at the Centro Santander Cultural. Around... More »
  

Melbourne 2015: First Glance Posits New York And The U.S As Central Narratives

First Glace has arrived. Not a program section per-say but a taster of things to come across the broad spectrum of nigh 300 films that comprise MIFF. The spill of new program reveals highlight more information about the Premiere Fund... More »
  

Cannes 2015 Review: COSMODRAMA, A French Metaphysical Star Trek

Science-fiction has never taken particularly strong roots in French cinema despite being born in hands of a certain Monsieur Meliés on French soil. And Gallic helmer Phillipe Fernandez is not likely to alter the status quo with his sophomore feature... More »
By Martin Kudlac   
  

Cannes 2015 Review: DHEEPAN, Powerful With Moments Of Sheer Bravado

It begins with chaos: shouting voices calling out in alarm, a cacophony of sound, and a flourish of a camera moving through a thick crowd. It ends with similar sounds and a similar shot, one far less sinister and... More »
By Jason Gorber   
  

Cannes 2015 Review: KRISHA Introduces An Exciting New Director In The Home Movie From Hell

Jean-Luc Godard once said that all you need for a movie is a gun and a girl. With Krisha, a rich psychological thriller about family secrets, mental-breakdown and addiction, director Trey Edward Shults proves that one can make compelling... More »
By Ben Croll   
  

MACBETH: Get A Glimpse Of Fassbender In Two Clips From Justin Kurzel's Film Adaptation

Fresh from the success of his debut feature, Snowtown, the world was - in many ways - director Justin Kurzel's oyster. The dark true crime drama left the Australian helmer poised to go in any one of several directions. The... More »
By Todd Brown   
  

Cannes 2015 Review: Noé's LOVE Is Both Sticky and Sweet

Gaspar Noé. For some even the name sends shudders. Thoughts of the visually bombastic Enter the Void cause a kind of PTSD, and his Irreversable still haunts some 13 years on. The Argentine-born, France-based director occupies a unique and... More »
By Jason Gorber   
  

Cannes 2015 Review: Wrestling With THE ASSASSIN's Beautiful Nothing

The first thing that strikes you in The Assassin is the quiet. Hou Hsiao-Hsien's ruminative tone-poem, about a Tang Dynasty sell-sword tasked with killing kin, is a remarkably hushed affair. Be it dialogue, sound-effects or music, at no point does... More »
By Ben Croll   
  

SENSORIA: 108 Media Acquires Worldwide Rights For Swedish Chiller

ScreenDaily is reporting that the worldwide rights for Christian Hallman's Swedish chiller Sensoria have been acquired by Toronto-based outfit 108 Media. They are introducing the film to buyers at the Market in Cannes. After losing almost everything she cares for in... More »
By Andrew Mack   
  

Cannes 2015 Review: MOUNTAINS MAY DEPART Displays Creative Artistry But Flawed Vision

Director Jia Zhang-ke is a big fan of segmented narratives. His last film, A Touch of Sin, was an anthology of sorts tackling different stories surrounding the larger topic of the the modernization of Chinese culture. In his latest film,... More »
By Ryland Aldrich   
  

Cannes 2015 Market Report: THE MONK WHO FUCKED A LIMOUSINE AKA INDIA'S DAUGHTER, The Hideous Nature Of Bad Taste

The Cannes Film Market, or Marche du film, can be among the most vibrant and exciting part of the iconic festival's ancillary events. This is where filmmakers go to sell their wares, films are bought and sold for different territories,... More »
By J Hurtado   
  

Cannes 2015 Review: MADONNA, A Riveting Tale Of Sorrow And Redemption

Following her accomplished sophomore film, the absorbing high school revenge tale Pluto (2012), Shin Su-won returns in glorious fashion with the searing Madonna. Meticulous, layered and yet seemingly effortless, this rewarding tale of mingled sorrow and redemption should go a... More »
By Pierce Conran   
  

Cannes 2015 Review: MEDITERRANEA, A Humanist Masterclass On Society's Forgotten Few

Mediterranea is a powerful neorealist punch, so loaded with prescience, so relevant to our here and now, that it practically explodes off the screen. At one point in the film, a middle class family sits down to dinner and the father... More »
By Ben Croll   
  
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