Sundance 2015 Review: H. Explores The Strange Dissonance Of Coupling

There's something strange in the waters of Troy, New York. Something life-changing in the skies. Some of us can see it, some of us can hear it. Some of us will wander into the woods to find it, leaving our... More »
By Ben Umstead   
  

Sundance 2015 Review: HELLIONS, A Monstrous Misstep

Hellions, Journeyman director Bruce McDonald's first foray into horror since 2008's slow-cooker Pontypool, is a maelstorm of horror traditions and tropes, good and bad alike. While the film is never boring for its constant barrage of evocative imagery, cacophonous score... More »
By Ben Umstead   
  

Rotterdam 2015 Review: GERMAN ANGST Is Not For The Squeamish

(An Anthology with a capital A for Abuse, Antisocials and Addiction...) This year, the International Film Festival Rotterdam has dedicated a section of its programme to surrealism, and questioning reality in cinema. The horror anthology German Angst is part of... More »
By Ard Vijn   
  

TURBO KID: Apple Finds A New Friend In New Clip

As the dust settles from last night's world premiere of Turbo Kid and we await word from all those lucky enough to be in the house at Sundance, there is another clip for you to watch. It looks like it is the... More »
By Andrew Mack   
  

TURBO KID: The First Teaser Trailer Shows A Grim Future In 1997

A cult classic in the waiting, Turbo Kid, from the film collective RKSS is only hours away from its World Premiere at Sundance. Earlier this week we got our first look in a funny and gory clip. And thanks to Deadline... More »
By Andrew Mack   
  

Slamdance 2015 Review: BIRDS OF NEPTUNE, Of Malady And Mysticism

Cinema has a way of acting like an echo chamber. it locks us into a space where we are asked to face up to ourselves through the guise of others: Our own doubts, and fears projected on the screen, looking... More »
By Ben Umstead   
  

Sundance 2015 Review: LAST DAYS IN THE DESERT And The Closeness Of The Great Divide

Director Rodrigo García's minimalist Christ-centered parable on fathers and sons pivots the holy man as everyman and observer. It's an approach that feels of merit: one that ultimately doesn't see earth-bound humanity and a more intangible sense of spirituality as... More »
By Ben Umstead   
  

Sundance 2015 Review: THE END OF THE TOUR Beautifully Explores Our Creative Intellects

Can you call it a bromance if there is no comedic intent? If not, then what's the best way to label a burgeoning platonic relationship between two men connecting over previously unexplored similarities and interests? Maybe it's just friendship, relationship,... More »
By Ryland Aldrich   
  

Sundance 2015 Review: KURT COBAIN: MONTAGE OF HECK, The Man Behind The Music And The Mania

I'll admit upfront I'm no fan of either Kurt Cobain or the music he made with Nirvana. The band hit just at that age when I was finding out for the first time about albums like The Who's Quadropenia or... More »
By Jason Gorber   
  

Sundance 2015 Review: COP CAR, A Cult Classic Waiting To Happen

Sometimes a film's premise just sells itself. Two mischievous boys stumble upon an abandoned cop car and decide to take it for a joyride. It turns out the cop car belongs to an officer on the wrong side of the... More »
By Ryland Aldrich   
  

Rotterdam 2015 Review: In STINKING HEAVEN Everything Rotten Is Good

We all live by rules. Whether they are personal choices to undertake or those put upon us by work or family, we live by them. But sometimes those rules can destroy us.Nathan Silver's fifth feature, Stinking Heaven, takes place in... More »
By Ben Umstead   
  

Sundance 2015 Review: BEST OF ENEMIES, A Vital Showcase On Media Iconoclasts

In many ways my media consumption is the child of events that date back to 1968. As an avid consumer of "mainstream" news (CNN is my background music) I have a potentially unhealthy fascination with the way that Americans... More »
By Jason Gorber   
  

San Cristóbal De Las Casas 2015 Dispatch: Award Winners Announced

The first edition of the San Cristóbal De Las Casas festival has reached its end. It was a nice way to begin the year and a second edition seems to be a given, as pretty much each and every screening... More »
  

Rotterdam 2015 Review: LA LA LA AT ROCK BOTTOM Sings A Cute Tune

(How a thug's head sometimes contains both rock and a hard place...) If director Nobuhiro Yamashita is going to be remembered for something, it will be his ability to keep things real, to tone down craziness to an acceptable level,... More »
By Ard Vijn   
  

Slamdance 2015 Review: FEMALE PERVERT Cuts Cute With Gender Roles

Sex. We wouldn't be here without it. And we sure do like it. But who wants to talk about it? Especially all those particulars...Filmmaker Jiyoung Lee is ready to though, and her intelligent, equally charming and cheeky examination on female... More »
By Ben Umstead   
  

Sundance 2015 Review: THE WITCH Will Leave You Haunted And Impressed

Dark, brooding, and mysterious, The Witch is more parts drama than horror. But genre elements and a solid grounding in period source material will keep audiences engaged throughout the film's thrilling conclusion. Set in New England circa 1630 (well before... More »
By Ryland Aldrich   
  

Slamdance 2015 Review: RATTER, A New High Mark In Cyber-Suspense

Since the very beginning of the medium, cinema has been inextricably linked to voyeurism.For to see, we have to look. And sometimes that's in wrong or uncomfortable places. We are, as an audience -- at home, in the theater, sitting... More »
By Ben Umstead   
  

Sundance 2015 Review: Z FOR ZACHARIAH, A Deeply Affecting Near-Future Parable

The premise is beautiful in its elegant simplicity - a woman is left alone in a world that has befallen a catastrophe. Her solitude is interrupted when a man appears, unsettling her life and making radical changes to her... More »
By Jason Gorber   
  

Slamdance 2015 Review: TIRED MOONLIGHT, An Effervescent, Enchanting Debut

Britni West's debut feature is sure to be the most enchanting feature at this year's Slamdance. An ode to small town America, every moment in West's film is is one of effervescent discovery, culling childhood wonder and adult wanderlust with... More »
By Ben Umstead   
  

Sundance 2015 Review: TANGERINE Pops With Verve And Vérité

On the streets of Los Angeles sunlight seems to move differently than in most places. It blazes, arching across the sky, like a banshee spreading its wings. From behind the wheel of your car, inching forward in the hellion-marked traffic... More »
By Ben Umstead   
  
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