September 11, 2005

TIFF Report: The Duelist Review

(Posted In Action Asia Comedy Drama Martial Arts Reviews Toronto Film Festival 2005 )

hyungmid.jpgOh, where to even begin with this ... Lee Myung-Se's period martial arts piece The Duelist was one of my most anticipated films of this year's festival. The advance trailers and released stills were simply jaw-droppingly beautiful and I was fascinated by the director's comments about the importance of rhythm in his film. So why am I feeling so intensely unsatisfied? On one level The Duelist is exactly what you would expect. It is gorgeously shot, a stunning film to look at, and contains a fistful of stunning set pieces. It is also, however, a surprising genre mash-up but Lee was unable to find the balance that would see the different aspects pull together cooperatively and instead ended up with a confused muddle of a film that doesn't know quite what it wants to be, its different impulses pulling it wildly in all directions.

A tale of political intrigue The Duelist is told from the perspective of a group of undercover police officers in historical Korea. Ahn Sung-Ki - one of Korea's most dependable actors who many on these shores will recognize from his part in the stellar Musa: The Warrior - is the wise senior leader of the group, Ha Jiwan the headstrong and firey tempered Detective Namsoo. When a mysterious masked man scatters bags of counterfeit coins into a crowd at a town fair - nearly triggering a riot - the young female detective sets off in pursuit, engages him in combat and catches a brief glimpse of his true face. Thus begins a cat and mouse game that plays out on several levels. Who would have the means to produce so many counterfeit coins? What do they stand to gain by destabilizing the country's economy? Who was the mysterious masked man and why does Namsoo find him so compelling?

First, the good. The cinematography is simply stunning. This is a gorgeously staged and shot film. The sets are simply enormous and finely detailed and are captured in all their glory. The colors are brilliant but Lee reserves his true love for the shadows, the interplay of light and dark. He is obviosuly aware that what you don't see can be every bit as impressive as what you do and he uses the shadows to his very great advantage.

Lee's approach to the martial arts sequences is also startlingly original. Many often talk of violence as being a dance, but Lee goes a step further and makes that literally the case, setting his wildly kinetic fight sequences to pronounced dance rhythms and employing them as a sort of courtship or mating ritual between Namsoo and her un-named opponent. He makes explicit the implicit link between sex and violence in a new and striking way. Also worth noting here is the magnetic performance of the male lead, Gang Donwon, who manages to convery a great deal with very little effort.

Lee is also admirably willing to experiemtn with camera techniques, often shooting reaction shots as a progressive series of stills and employing a fistful of other techniques to capture his scenes and characters. This is, quite honestly, a film unlike any other you may have seen.

And now, the not so good. First, the genre issues. Cross genre films are very likely the hardest to pull off successfully as each genre has its own conventions and requirements that must be honored without detracting from the others, and Lee simply misses that all important balance. We're not talking about a drama with some quality comic moments here, we're talking about a film that is one moment a high minded art film and the next a Keystone Kops styled bumbling slapstick, right down to the ramped up camera speeds. There is the blacksmith always telling his luridly sexual stories, the admittedly fun spy themed introduction of the undercover unit complete with Bond style musical accompaniment, and the goofy Saturday morning serial nature of much of the early action. The elements simply never gel and while the comedy quotient decreases dramatically as the film goes on you quickly realize that Lee spent so much time on the first act goofing around that he failed to properly establish any of his lead characters. There's simply nobody to carry you through the experience with Ahn grossly underused and Ha playing everything in the broadest possible terms, either screaming or slouching or crying or giving off a very unconvincing swagger. There's no subtlety to her work, which makes her budding forbidden romance remarkably unconvincing.

The Duelist has at least five different films struggling to emerge. It is loaded with eye candy and has some spectacular set pieces but on the whole that struggle proves its undoing. Promising, but ultimately unfulfilling.

» Posted by Todd at September 11, 2005 05:28 PM
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Reader Comments

I can't wait to see this - even your negatives sounded fascinating to me and reminescent of Nowhere to Hide that seemed to have many of these same genre hopping style switching elements - i.e. the fight on the rooftop that turns into a waltz or the keystone cop beating of a witness. NTH still stands as one of my favorite films simply on a visual level. Have you seen the Damo tv series? I read that though the film is based on it they tried to create something different as well - but from the plot that you describe it sounds very much the same - without giving away spoilers - is the mysterious stranger the same person as in the series? Thanks for all the great reviews.

» Posted by Brian at September 11, 2005 10:14 PM

Sad Eyes? The guy had a different name in the series (played by Kim Min-Joon), but character traits were similar. What's probably different from reading this is that Damo was a little more historically relevant than this probably is.

But slapstick comedy, fast paced action and high octane melodrama has always been a staple of Korean Historical Dramas on TV. On the big screen, that's another story.

» Posted by x at September 11, 2005 10:27 PM

Even though it's not an 'official' adaptation of Damo my hunch on this is they assumed people would already be invested enough in the characters that they didn't need to establish them ... may work fine in Korea where people know the show, but not anywhere else ...

» Posted by Todd at September 12, 2005 02:19 AM

Ha Ji-Won's character is the opposite though, at least on paper.

» Posted by x at September 12, 2005 02:38 AM

As far as I understood it it's nothing to do *directly* with Damo - I'm sure I read somewhere it's that they were both based on the same novel and that yes, Lee Myung-Se wanted to film something notably different. Someone want to correct me? I'm currently watching Damo (very slowly :) ) and am quite impressed so far; it's a cartoon, yes, with the melodrama up to screaming pitch in places but it's fairly well shot, oddly thoughtful, genuinely affecting at times and generally rather appealing IMO. I've been eagerly awaiting this for a while (the TV series tightened up to 2 hours and given an arthouse blockbuster makeover? Yes please) and it'll be a shame if I agree with the negative reviews, though they do sound upsettingly plausible.

» Posted by Eight Rooks at September 15, 2005 10:29 AM

i just saw this film at the TIFF this morning at Paramount. This is one of the worst Korean films i have ever seen. i wanted to leave so many times but i held myself back from doing so out of respect for the director (he showed up for the screening and for a Q&A session). i just saw nothing but nonsense and utter mess on the big screen. i am so disappointed. hopefully, Shadowless Sword won't be this bad when it comes out.

» Posted by orienkorean at September 15, 2005 01:17 PM

I have seen DAMO but yet I have to see this film.. well each of one has its own view depending on their respective taste on the film they want to see.. My only thrust this film did its worth to be recognized.

» Posted by Nympha at September 15, 2005 08:55 PM

Clearly this reviewer "didn't get it". I think the director made a neat film that plays with and uses the Manga / comic book form in a variety of interesting and often brilliant ways. Unfortunately if you don't see what's going on the film might easily be taken as "nonsense". Too bad.

Michael

» Posted by Michael at September 16, 2005 10:43 AM

While it is tempting to trot out the tired, BAD REVIEW=NOT GETTING IT excuse, I don't believe that is entirely true with THE DUELIST.

I think you can enjoy it by letting go and taking the ride, but The Duelist clearly has major issues in the story-telling and direction department, despite a number of good qualities. It is certainly a film that is polarizing people

» Posted by Kurt at September 16, 2005 07:04 PM

Oh, I fully understood what he was trying to do I just thought it made for a disappointing film.

» Posted by Todd at September 16, 2005 08:15 PM

The Duelist trailer (and also the movie title) may mislead people to think that this is a film with lots of martial art scenes. Therefore, people maybe disappointed when they actually saw the movie. The focus of the film, however, is on the romance between Sad Eyes and Namsoon and how to portray their emotional feeling through the use of their body and eye gestures. The fight scenes between them is just another way to express the mating ritual as a form of fight/dance; because they are fighters, maybe they express themselves best that way. Treat this film more from an artistically point of view and people may enjoy it more.

» Posted by Alex at January 9, 2006 12:33 PM

Having just watched Duelist, I can see where Todd is coming from when saying that the movie is a bit muddled up by trying to portray too many topics at once. I imagine that it's difficult to create a movie when there's so many underlying themes pulling at the main storyline.

Even so, the visuals were spectacular; and I throughly enjoyed how Lee Myung-Se handled the sword fighting scenes. It was definitely a wise decision to depict them as if the two characters were dancing. The body language, the silence.. it all helped in expressing the emotion/tension between Namsoon and "Sad Eyes" whilst they clashed blades with each other.

The only problem I had with Duelist; however, was not the lack of dialogue or storyline, but rather, the seemingly out of place humor. I have not seen any of Lee Myung-Se's past works, so perhaps this is his own unique style. Even so, Namsoon's awkward facial expressions in addition to the attempted comedic acts didn't seem to fit in with the elegant fighting scenes. Somewhat of an inconsistent style, imo. I also wished that there were more scenes to show a bit more of character development and their relationships.

Anyhow, I applaud Ha Ji-Won and Kang Dong-Won in performing all of their own stunts. The body movements were incredibly graceful :) And because of their efforts, on top of Lee Myung-Se's directing, Duelist has become one of the most visually artistic films I have seen thus far.

» Posted by Jiayi at February 14, 2006 08:17 PM

Beautiful comstumes and beautiful scenery...all gone to waste! Watching this movie was like looking into a aquarium where all the fish are hiding. You know there is something magical there, you just can't seem to get more than a glimpse of it. It seemed like I spent the entire movie thinking "The scenery is so amazing! If only...". Wasted..simply wasted. This was a very fustrating movie to watch. Even more so because I've been following this film for a very lond time and had such high hopes for it.
As far as the mix of comedy/action/romance goes the movie feels like someone threw a bunch of emotions into a hat and randomly drew how the scenes were to be played. Comedy where you'd expect action, anger/comedy where you'd expect sorrow/desperation. Take how you thought the scene would be played and insert the opposite. Nothing seemed to fit.
In trying to mix different genres into one film (which Arahan does wonderfully) you end up with a movie that just doesn't seem to do any of them right. In the end I didn't care about the leads, didn't care about the storey...just plain didn't care.

» Posted by Shochu at March 17, 2006 01:00 AM

i haven't seen the trailer so i saw the movie without expecting anything. but still i was totally disappointed with the movie. it looked just gorgeous, one of the best i've seen from a korean movie. but other than that it was really bad. if only looks were everything. throughout watching it i was thinking it had so much style but no substance. oh well..

» Posted by h4 at July 9, 2006 05:55 PM

eh... i didnt like it. It was too confusing and "wierd" for lack of a better word. It was visually stunning- very pretty, but i wouldent call it a martial arts movie. The fight scenes where more like dance scenes...

» Posted by Marcus Hadlock at July 24, 2006 08:38 PM

omg!!! i love you so bad,myung-se lee!! you are so hot!!! but yeah hope i will get to see your other movies!! i love you very much.

» Posted by mailee at January 9, 2007 02:20 PM

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