Review: DON'T THINK I'VE FORGOTTEN Resolutely Remembers Cambodia's Rock & Roll Days

If you are a hipster who picked up a copy of Cambodian Rocks Vol.II in the World Music section at your favorite vinyl shop then you might already be familiar with musicians like Sinn Sisamouth, Pan Ron and Yol Aularong.... More »
By Dustin Chang   
  

Imagine 2015 Review: LIZA, THE FOX-FAIRY Magnificently Kills With Kindness

This weekend, Liza, the Fox-Fairy won the Silver Méliès Award at the Imagine Film Festival Amsterdam. It was hardly the first award it won either: a few weeks earlier at Fantasporto, it won awards for Best Film and Best Special... More »
By Ard Vijn   
  

Calgary Underground 2015 Review: NIGHT OWLS, Kitchen Sink Drama Both Tender & Brutal

In many ways, a lot of American Indie cinema is becoming as formulaic and predictable as its big budget cousins. Be it a Baumbach jam, a Swanberg swing or a doozie from the Duplass', there are clear expectations that... More »
By Jason Gorber   
  

Night Visions 2015 Review: AMERICAN BURGER Serves Up Cross-Cultural Beef

Watching an English-language splatter comedy, made in Sweden by a married British / Swedish couple, at a film festival in Helsinki, Finland, in a bar converted into a screening room, certainly ranks among my top 10 most unusual cross-cultural experiences... More »
By Peter Martin   
  

Review: Hungarian Western MIRAGE, A Visually Opulent Slavery Allegory

The Hungarian director of Bibliotheque Pascal, Szabolcs Hajdu, returns with yet another not so conventional oeuvre, Mirage. After the world premiere held at Toronto last year, the film enters the Slovak and Czech theatre circuit (Slovakia is a minor co-producer... More »
By Martin Kudlac   
  

Istanbul 2015 Review: THESE ARE THE RULES Provokes With Civil Horror

Dramas which keep the tension tightly under the lid while eschewing a boiling melodramatic outburst can be challenging. On the other hand, de-dramatized dramas with smoother edges are easier to chew on for laid-back, cerebral viewers. Croatian director Ognjen... More »
By Martin Kudlac   
  

Night Visions 2015 Review: SERIAL KILLER CULTURE, Why So Fascinating?

What drives ordinary-looking men and women to become obsessed with serial killers? Is it a dark corner of their psyche that makes them feel that they have something in common with horrible people who have caused untold pain and suffering... More »
By Peter Martin   
  

Review: THE DEAD LANDS, Action Painted On A Broad Canvas

As is often the case with a classical heroic journey, what you get out of the quest is often what you bring to it. With some humility and patience, you'll be rewarded; wanting rewards without putting in the work to... More »
By Jason Gorber   
  

Review: MONSTERS: DARK CONTINENT, A Sequel In Name Only

Four years after Gareth Edwards exploded onto the sci-fi scene with his inventive and industrious indie alien invasion flick Monsters, first-time director Tom Green delivers a sequel that bears little resemblance to the original, in tone, content or invention. Reportedly... More »
By James Marsh   
  

Review: UNFRIENDED, When Social Media Becomes Anti-Social

Yikes. "HEY u guyz!!!" "Whazzz happening?!" "Nothing much." "O yuck!" "Hey, I think there's a mean and NASTY serial killer in the video chat room with us." "Get outta here!!!!!!!" "No, I'm serious!" "I am TOO, DUDE!" The above quotations... More »
By Peter Martin   
  

Review: MONKEY KINGDOM Doesn't Monkey With Formula

"Here we come... Walking down the street..." Yes, this film actually opens with the old Monkees TV show theme. It plays over a satisfying opening montage of monkeys in the jungle doing stupid things and getting laughs. It's lazy, but it... More »
By Jim Tudor   
  

Now Streaming: MARVEL'S DAREDEVIL Takes The Leap

Leave it to the Man Without Fear to take the Marvel Cinematic Universe to daring new heights. Even if that's just mostly to the top of a five story walk-up in Hell's Kitchen.   

Marvel's Daredevil is the first of the... More »
By Ben Umstead   
  

Imagine 2015 Review: TURBO KID Splatters Everyone With Fun

(Gory equals glory with lots of guts!) Saying Turbo Kid is Mad Max on BMX-bikes may be a quick description, and not exactly misleading, but it's also selling the film a bit short. For starters it fails to show Turbo... More »
By Ard Vijn   
  

Now On Blu-ray: Duke Mitchell's MASSACRE MAFIA STYLE And GONE WITH THE POPE From Grindhouse Releasing

Grindhouse Releasing completes a journey of nearly 20 years with the recent Blu-ray releases of Duke Mitchell's Massacre Mafia Style and Gone With the Pope. Co-founders Bob Murawski and Sage Stallone began this saga back in the mid-'90s with the help... More »
By J Hurtado   
  

Review: BROKEN HORSES Deserves A Swift Mercy Killing

Where does one draw the line between pitiable and risible? On the one hand, it just seems mean to want to pick on the slowest kid in the class, especially when you see just how far behind they are lagging.... More »
By Kurt Halfyard   
  

Review: THE SISTERHOOD OF NIGHT Reveals The Secret Lives Of Teenage Girls

By now, anyone who regularly reads about the movie business is well aware of the dismal statistics concerning the representation of women - or more pertinently, the lack thereof - as directors, writers, and just about every other creative capacity... More »
  

Review: THE RECONSTRUCTION OF WILLIAM ZERO Offers Reproduction Fatigue

There seems to be some kind of movement out there where low-key indie dramas of personal tragedy cloak themselves in the veneer of heady science fiction concepts: films like Mike Cahill's Another Earth, James Byrkit Ward's Coherence, Lars Von Trier's... More »
By Kurt Halfyard   
  

Review: CLOUDS OF SILS MARIA, On Acting, Aging And Choices

The eponymous image of Clouds of Sils Maria features a heavenly mist snaking its way through mountain peaks like a river, the rocks frozen in time, immutable, the clouds in perpetual motion. It is shown as shot for Olivier Assayas... More »
By Kurt Halfyard   
  

Review: EX_MACHINA, How Men Perceive A Female Robot

Alex Garland has become known for some pretty great sci-fi screenplays, such as 28 Days Later, Sunshine and Dredd. So it seems only natural that he would eventually direct one of his own works. Ex_Machina has some great elements, such... More »
  

Indian Film Fest LA 2015 Review: HARAAMKHOR, The Dangerous Distance Between Loving And Being Loved

Does love make monsters of men? Or, as Shlok Sharma's debut feature Haraamkhor suggests, does the idea of love merely magnify the monstrous tendencies latent within men? This is one of many complex ideas that weave through Sharma's film, but it... More »
By J Hurtado   
  
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