Review: FISHING WITHOUT NETS Expertly Expands the Somali Pirate Story

You'd be excused for a slight case of déjà vu when reading the description of Cutter Hodierne's feature debut Fishing Without Nets. Somali pirates have been a hot topic lately with both Danish film A Hijacking and Paul Greengrass's Tom... More »
  

TV Review: SCROTAL RECALL S1E1, ABIGAIL Delivers A Hysterical And Surprisingly Earnest Take On Modern Relationships

Dylan has a problem. Young and earnest, a believer in true love and all of those things, Dylan is the sort of young man that you'd love to bring home to mom. But if you did you'd also be bringing... More »
By Todd Brown   
  

Busan 2014 Review: SECOND LIFE OF THIEVES Is Mundanely Melancholic

A melancholic malaise permeates the incredibly subdued and softly told Second Life of Thieves, the latest feature from Malaysian director Woo Ming Jin. Set in the sweltered confines of a seaside village, the film transgresses past and present confidently. Initially... More »
  

New York 2014 Review: EDEN, An Ambitious Yet Personal Look at 90s Electronic Dance Music Scene

The other day, I saw a college kid wearing a T- shirt that said, "In school now just to be a wage slave later." I seriously considered giving the kid a hug. And I could've easily regarded it as some... More »
  

Busan 2014 Review: ENTANGLED Gets Caught Up In Its Own Depressing Narrative

Following the blistering debut Fatal, a gritty rape-revenge thriller that bowed at the Busan Film Festival in 2012, Lee Don-ku returns to Busan with the disappointing family drama Entangled. Though it seeks to inspire a similar sense of shock and... More »
  

Busan 2014 Review: GIFTED Takes An Interesting Turn Before Veering Off Course

Taking its cue from the common social grievances often found in Korean indie dramas, Gifted, the sophomore effort of Poongsan (2011) helmer Jung Jai-hung, examines the friction between unemployment and consumerist ambitions in modern Korea. Slight and familiar, the film... More »
  

Review: LEFT BEHIND, Polite, First-Class Apocalyptic Disaster

So long, suckers! What's most remarkable about Left Behind isn't that Nicolas Cage is starring in a religious-themed movie about the end of the world, nor is it that longtime stunt coordinator extraordinaire Vic Armstrong is finally directing his sophomore... More »
  

Busan 2014 Review: PARADISE IN SERVICE, A Classical Tearjerker

Paradise in Service is presented by Taiwanese film-maker Hou Hsiao-Hsien but it is certainly not directed by him. This classical melodrama is a much more accessible film, and although conventional, communist-war period in Taiwan is brought to vivid life thanks... More »
  

Hamburg Filmfest Review 2014: JAUJA Is A Mystic Paradise Of Fiction

If there were any remaining questions about the status of Lisandro Alonso as one of the most important and brave contemporary filmmakers, Jauja answers them all. With a star like Viggo Mortensen as a magnet for those who otherwise would... More »
  

Hamburg Filmfest 2014 Review: AUGUST WINDS Gets Your Whole Body Covered In Coca-Cola

Gabriel Mascaro's August Winds (Ventos de Agosto) is a love-dance of life and death. With a remarkable background in documentary filmmaking, the Brazilian Mascaro combines an observational nonfiction-styled movement and a poetical reflection on age, youth, flesh, and memory. There is... More »
  

Review: ANNABELLE Is Worse Than Being Given An Antique Doll As A Gift

It is understandable that Warner Brothers and New Line would want to continue the success of last year's The Conjuring. The period haunted house flick proved a surprise summer smash last year, grossing over $300 million worldwide. Annabelle focuses on... More »
  

New York 2014 Review: TIMBUKTU Is A Strong Condemnation Of Religious Extremism

Timbuktu, that faraway place, the end of the world, is an actual city in Northern Mali in Africa.  It was once a bustling trade town in sub-Saharan Africa and now famous for its fabulous architecture, libraries and scholars. Abderramane Sissako... More »
  

Review: MEETING DR. SUN, A Playfully Poignant Coming-Of-Age Heist Flick

Yee Chih-yen, Taiwanese director of the much-celebrated Blue Gate Crossing, delivers a heartfelt, humorous and poignant coming of age story in Meeting Dr. Sun. Part high school drama, part adventurous heist flick, the film follows impoverished high-schooler Lefty (Zhan Huai-yun),... More »
  

Vancouver 2014 Review: WHITE BIRD IN A BLIZZARD, Gregg Araki's Nostalgic, Seductive Puzzle

Gregg Araki's latest offering, White Bird In A Blizzard, is set during the time period when Araki first began making films (1988-1991). Because of this, the sets and costumes are rendered with a loving nostalgia that never feels overly novel.... More »
  

New York 2014 Review: GONE GIRL, Meticulously Crafted And Unabashedly Trashy

Gone Girl, David Fincher's latest, and New York Film Festival opener, based on the bestselling novel by Gillian Flynn, begins with a close-up of its central married couple, Nick Dunne (Ben Affleck) and Amy Dunne (Rosamund Pike). Nick is gently... More »
  

Fantastic Fest 2014 Review: TOMMY, A Gripping Nordic Noir About Dames

The latest in a string of stylish crime thrillers to emerge from Scandinavia, Tommy is the new film from Swedish director Tarik Saleh, and offers a blistering change of pace to 2009's animated sci-fi odyssey Metropia.A daring airport robbery and... More »
  

Review: JIMI: ALL IS BY MY SIDE, A Momentously Audacious Musical Biopic

Making a movie about a musician is bound to be extremely difficult when you don't have the permission of the family's estate. Why has there never been a definitive Elvis biopic -- or Kurt Cobain either, for that matter?... More »
  

Fantastic Fest 2014 Review: THE STRANGER Delivers A Mixed Bag

Directed by Guillermo Amoedo and executive produced by Eli Roth and Nicolas Lopez (who collaborated on Aftershock, The Green Inferno, and next year's home invasion thriller Knock, Knock with Keanu Reeves), The Stranger is a vampire film that doesn't scream... More »
  

Fantastic Fest 2014 Review: V/H/S VIRAL Catches On

V/H/S brought us stories from Ti West, Adam Wingard, Glen McQuaid, and Joe Swanberg, among others. V/H/S 2 gave us far superior films from Gareth Evans and Timo Tjahjanto, Gregg Hale and Eduardo Sanchez, Jason Eisener, Simon Barrett, and Adam... More »
  

Fantastic Fest 2014 Review: I AM TRASH Lives Up To Its Title In Gloriously Reprehensible Fashion

South Korean indie provocateur Lee Sang-woo returns with the third and final instalment in his thematic "bad family" trilogy, which follows three grown up brothers, reunited when their pedophile father is released from prison. Inspired by a series of real-life... More »
  
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